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Traditional Catholic Faith => The Sacred: Catholic Liturgy, Chant, Prayers => Topic started by: Plenus Venter on September 03, 2023, 08:04:06 PM

Title: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 03, 2023, 08:04:06 PM
Attached is a booklet in PDF format with Pope St Pius X's Motu Proprio on sacred music Tra Le Sollecitudini (1903), including his accompanying letter to Pietro Cardinal Respighi, Vicar of Rome, followed by the text of perhaps a little-known instruction from Cardinal Respighi (1912) which indicates the will of the reigning Pontiff.

Cardinal Respighi was Vicar of Rome from 1900 until his death in 1913:
Pietro Respighi - Wikipedia (https://en.wikipedia.org/wiki/Pietro_Respighi)

His letter starts on page 20. On page 22 we read: "In order to facilitate so important a work, it has seemed good to us to give a few practical rules to which by order of the Holy Father, all persons whatsoever who have to do with the performance of music in the Churches and Chapels in Rome are required to give ear".

Immediately follows: "The best ecclesiastical traditions demand that the whole assembly of the faithful should join in the singing at all liturgical functions, by executing the parts of the text which are assigned to the choir, and that a special Schola Cantorum should alternate with the people, undertaking the more richly melodious parts, which should be strictly reserved to them.

Further on, under 'Rules for Superiors of Churches' on pp 26 and 27 we read: "...they should should explain to the people... inviting the faithful to cooperate in this matter especially by taking a more active part in the sacred functions, by singing the Kyrie Eleison, the Gloria, etc., ..."

This is a good lesson on how careful we must be in judging on such matters. It would seem to vindicate Archbishop Lefebvre (and the sermon given by Bishop Tissier which I posted in another thread) as also the Popes following Pope Pius X up to Pius XII who have been harshly criticised in this and other matters by some contemporary scholars who too readily discard the liturgical directives of the Vicar of Christ as being the deviations of a hijacked Liturgical Movement.


Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Giovanni Berto on September 03, 2023, 08:11:58 PM
St. Pius V prohibited all the missals that were less than 200 years old when he promulgated Quo Primum. 

Were all af them bad? Probably not. The Holy Father was just being careful to get rid of anything that could be infected with heresies.

I believe that we can apply the same principles regarding the novelties in the liturgy in the 20th century. It is the safer path.

St. Pius X was obviously not a Modernist. If I had to draw a line, I would probably prohibit any liturgical norms that came up after his reign, since he was the last really good Pope that we had.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 03, 2023, 09:10:24 PM
I guess my first thought was, “If congregational singing was so traditional, then why did the people need to be told they should be doing it?”

It reminded me of St. Pius X’s exhortation to receive daily communion: It might be a good thing for some, but it definitely wasn’t traditional.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Miseremini on September 03, 2023, 10:08:46 PM
According to Carol Byrne's book Born of Revolution, A Misconceived Liturgical Movement, the original Motu Proprio (in Latin) by Pius X NEVER indicated the people should sing.  The word "active" as in active participation never appears in the original Latin but does appear in the Italian translation dated the same day.
To understand what His Holiness wrote we need someone familiar with Latin to read the original.  What we have access to in various languages was compromised on day one.
I'm only on chapter three but carol obviously did extensive research.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 04, 2023, 07:00:58 AM
According to Carol Byrne's book Born of Revolution, A Misconceived Liturgical Movement, the original Motu Proprio (in Latin) by Pius X NEVER indicated the people should sing.  The word "active" as in active participation never appears in the original Latin but does appear in the Italian translation dated the same day.
To understand what His Holiness wrote we need someone familiar with Latin to read the original.  What we have access to in various languages was compromised on day one.
I'm only on chapter three but carol obviously did extensive research.
Yes. So says Dr Carol Byrne. That is my point. But let us forget about the word 'active' and just read what is said here by the Cardinal Vicar of Rome, the one entrusted by Pope St Pius X to put his Motu Proprio into effect. He is here laying down the rules to the clergy of Rome which "BY ORDER OF THE HOLY FATHER", "ALL PERSONS", "ARE REQUIRED TO GIVE EAR". Does it not mean something? I don't think we need to be Latinists to make sense of this. Sean says it is not traditional. But Cardinal Respighi, in the name of the Holy Father St Pius X, in the Pope's backyard says "THE VERY BEST ECCLESIASTICAL TRADITIONS DEMAND THAT THE WHOLE ASSEMBLY OF THE FAITHFUL SHOULD JOIN IN THE SINGING". It makes a mockery of the Church to refuse this. St Pius X, Pius XI, Pius XII, Archbishop Lefebvre, the great prelate raised up by God to preserve Tradition in this crisis. What is left of the Magisterium if we set ourselves up to judge these great men of God and the Church? "My research", that is what is left...
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 04, 2023, 07:12:13 AM
Yes. So says Dr Carol Byrne. That is my point. But let us forget about the word 'active' and just read what is said here by the Cardinal Vicar of Rome, the one entrusted by Pope St Pius X to put his Motu Proprio into effect. He is here laying down the rules to the clergy of Rome which "BY ORDER OF THE HOLY FATHER", "ALL PERSONS", "ARE REQUIRED TO GIVE EAR". Does it not mean something? I don't think we need to be Latinists to make sense of this. Sean says it is not traditional. But Cardinal Respighi, in the name of the Holy Father St Pius X, in the Pope's backyard says "THE VERY BEST ECCLESIASTICAL TRADITIONS DEMAND THAT THE WHOLE ASSEMBLY OF THE FAITHFUL SHOULD JOIN IN THE SINGING". It makes a mockery of the Church to refuse this. St Pius X, Pius XI, Pius XII, Archbishop Lefebvre, the great prelate raised up by God to preserve Tradition in this crisis. What is left of the Magisterium if we set ourselves up to judge these great men of God and the Church? "My research", that is what is left...

PV-

What “tradition” does the Vicar general cite??

Obviously, it wasn’t the custom at the time, or he wouldn’t have to convince the faithful how “traditional” it was.

Is he going back to the era of the primitive Church to cite such a custom (archaeologism), as the Holy Week reformers did?

Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 04, 2023, 07:49:04 AM
PV-

What “tradition” does the Vicar general cite??

Obviously, it wasn’t the custom at the time, or he wouldn’t have to convince the faithful how “traditional” it was.

Is he going back to the era of the primitive Church to cite such a custom (archaeologism), as the Holy Week reformers did?
Hey Sean. Yes, I'll grant you that - he doesn't cite any sources. But his letter is no historical study, but rather a practical laying down of rules "in the name of the Holy Father".
Was Pius X guilty of archaeologism and subsequently condemned by Pius XII??? The plot thickens.... !!!
What might have been more obvious in Rome 100 years ago, before the Vatican II revolution, may be more obscure and difficult for us to know now... we should never imagine we have all the sources and are competent to make a superior judgement.
And here is the point with Dr Byrne. She is at pains to demonstrate that St Pius X was opposed to congregational singing. Yet surely she was unaware of this source - the Pope's Roman Vicar, Cardinal Respighi's letter.
Would not these saintly men and Popes who have been given by God to guide us in this liturgical discipline over the course of the last 100 years know better whether this was to the edification of the Church and souls than some modern day liturgical scholar?
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 04, 2023, 08:17:33 AM
Hey Sean. Yes, I'll grant you that - he doesn't cite any sources. But his letter is no historical study, but rather a practical laying down of rules "in the name of the Holy Father".
Was Pius X guilty of archaeologism and subsequently condemned by Pius XII??? The plot thickens.... !!!
What might have been more obvious in Rome 100 years ago, before the Vatican II revolution, may be more obscure and difficult for us to know now... we should never imagine we have all the sources and are competent to make a superior judgement.
And here is the point with Dr Byrne. She is at pains to demonstrate that St Pius X was opposed to congregational singing. Yet surely she was unaware of this source - the Pope's Roman Vicar, Cardinal Respighi's letter.
Would not these saintly men and Popes who have been given by God to guide us in this liturgical discipline over the course of the last 100 years know better whether this was to the edification of the Church and souls than some modern day liturgical scholar?

Of course, the dilemma raised here is to explain the arbitrarity implicit in judging that those you name were "given by God to guide us in this liturgical discipline over the last 100 years," but their successors (John XXIII, Paul VI, JPII, BXVI, Francis) were not.

But here's where the inquiry should concentrate:

1) Did Pope St. Pius X really include the word "attiva" in TLS, or was this slipped in later by someone else (and if so, why)?

2) Was congregational singing an organic development of liturgical practice, consistent over the centuries until it was somehow eclipsed, only to be recovered by Pope St. Pius X?

If both those questions could be affirmed, I would immediately abandon all my reservations on the subject (and posibly even if only the first could be affirmed).

PS: I am aware that while still a Cardinal, St. Pius X endorsed the faithful singing the Kyrie, Gloria, and Credo, and this is evidence against Byrne's conclusion that he opposed congregational singing.  But Pius IX also had ideas as cardinal which he did not endorse as poep (i.e., referring to his liberalism, and the hopes the Masons had of his pontificate).
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: magdalena on September 04, 2023, 08:21:17 AM
According to Carol Byrne's book Born of Revolution, A Misconceived Liturgical Movement, the original Motu Proprio (in Latin) by Pius X NEVER indicated the people should sing.  The word "active" as in active participation never appears in the original Latin but does appear in the Italian translation dated the same day.
To understand what His Holiness wrote we need someone familiar with Latin to read the original.  What we have access to in various languages was compromised on day one.
I'm only on chapter three but carol obviously did extensive research.
Here’s the reference:

https://www.traditioninaction.org/HotTopics/f074_Dialogue_2.htm
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 04, 2023, 08:27:25 AM
Here’s the reference:

https://www.traditioninaction.org/HotTopics/f074_Dialogue_2.htm
Pius X Did Not Call for
‘Active Participation’ in Liturgy
Dr. Carol Byrne, Great Britain
Discrepancies between the Latin and vernacular texts of TLS

In the last article (https://www.traditioninaction.org/HotTopics/f073_Dialogue_1.htm) we pointed out discrepancies between the Italian and Latin versions of Pope Pius X’s motu proprio, Tra le Sollecitudini (TLS), mentioning that the word “active” had been added to the Italian text to describe the participation of the laity.



(https://www.traditioninaction.org/HotTopics/HTimages_b-f/F074_gregorian.jpg)
Monks singing chant illustrate a medieval manuscript
Here we shall deal more closely with the Italian version of TLS published in the Acta Sanctae Sedis in relation to the authentic Latin text and show how, on the crucial issue of the participation of the faithful in the liturgy, they diverge in meaning. Clearly, they cannot both represent the mind of the Pope.

Let us examine § 3 of the Latin version, which indicates Pope Pius X’s intentions. It says in a few succinct words that Gregorian Chant, transmitted by tradition, is to be fully restored to the sacred rites: Cantus gregorianus, quem transmisit traditio, in sacris solemnibus omnino est instaurandus.

It then goes on to explain why Gregorian Chant should be given back to the people, so that in particular the Christian faithful may once again, in the custom of their forebears, participate more ardently in the liturgy: Praesertim apud populum cantus gregorianus est instaurandus, quo vehementius Christicolae, more maiorum, sacrae liturgiae sint rursus participes.

Now, we shall examine the pitfalls of having a docuмent in the vernacular (both Italian and English) and the misconceptions that can arise because of faulty translations.

“By the people”

TLS says that Gregorian Chant should be restored nell'uso del popolo (for the use of the people) in the liturgy. It does not specify which people or for what purpose – singing or listening – they are to use the Chant. Even worse, the English version states that the use of Gregorian Chant by the people is what the Pope intended. The underlying suggestion made by these vague and generalized paraphrases is that “the people” means the whole congregation and that the Pope wanted them all to join in the Chant.

But that is an assumption that is not supported by the Latin text, which states that Gregorian Chant is to be restored apud populum, i.e., among or in the presence of the faithful; in other words, in the churches. The Pope had already expressed this idea in his Introduction: ubi Christicolae congregantur (there where the Christian faithful gather).

Apud is a preposition that indicates proximity or geographical location and cannot be translated by a phrase indicating instrumentality, as in something done “by the people.” In saying that Gregorian Chant should be restored to the people, the Pope gave no indication in this passage or elsewhere in the docuмent that he wanted it to be sung by all the faithful.

“Active participation”

The problem revolves around the interpretation of “participation” of the laity in the liturgy as understood by Pope Pius X. Whereas the noun participatio is used on its own in the Latin version, the Italian translation of TLS exceeds the bounds of equivalence by adding the word “active”: “partecipazione attiva” to it. This happens several times, even though there is no equivalent of “active” in the Latin text.



(https://www.traditioninaction.org/HotTopics/HTimages_b-f/F074_participation.jpg)
Active participation in singing has become the norm in Catholic churches
As accuracy is of primary concern in order to ensure that translations convey the full meaning of the original, it cannot be assumed that the drafter of the Latin version felt no need to include the equivalent of “active” on the grounds that this was implied in “participation.”

(Incidentally, the Italians were the first to translate pro multis in the Words of Consecration by “for all” on the assumption that “for many” implied “for all,” but this was an erroneous assumption that led to a misunderstanding of the nature of the Holy Sacrifice of the Mass.)

No part of the Latin version of the motu proprio indicates that the Pope envisaged an “active” role for the congregation. Paragraphs 12-14 show that the only authorized lay performers are choir members, women excluded. As the raison d’être of Gregorian Chant was the text, not the people, the intention of the Pope was to clothe the text with beauty (verba liturgiae exornare - to embellish the words of the liturgy), not to make the people vociferate.

Those who insist that TLS was a manifesto for congregational singing make the mistake of giving precedence to so-called “active” participation over the lex orandi (the way prayers and liturgical texts transmit the Faith in the immutable Latin language.)

“A more active part”

The Latin version uses the word vehementius to indicate the manner in which the faithful should participate in the liturgy. This is loosely and incorrectly translated in the Italian and English versions to say that all should play a “more active part” (parte più attiva) in the liturgy, and the impression is given that this is accomplished by everyone singing Gregorian Chant. But the Latin text does not support this conclusion.

Vehementius is related to the Latin adverb vehementer, which has been used throughout classical antiquity, and also in ecclesiastical texts, to indicate intensity of emotions, strength of feelings and other interior dispositions of the human mind. It can be translated by “greatly” or “exceedingly.” (1)

Pope Pius X used it thus: vehementer optemus (we ardently desire) in the Introduction to the motu proprio to show his fervent desire to restore Gregorian Chant. He also used it in his encyclical Vehementer Nos of 1906 to convey the depth of his grief over the injustices to the Church occasioned by the recent French law on State secularism.

Vehementius, the comparative form of vehementer, can be translated by “more ardently / more fervently / to a greater degree.” There are no grounds for believing that the Pope was making a comparison between singers and non-singers or suggesting that the latter were somehow deficient in relation to the former. Rather, he was comparing the suitability of Gregorian Chant and profane styles of music (2) in their ability to enhance prayerful participation in the liturgy.



(https://www.traditioninaction.org/HotTopics/HTimages_b-f/F074_choirboys.jpg)
The Pope called for trained choirs of male voices singing pure chant
In § 2, the Pope referred to the special power of suitable sacred music on the minds of the faithful who listen to it (in animis audientium illam), moving them to devotion and making them better disposed for the reception of the fruits of grace coming from the celebration of the Mass. The key concept here is that an intellectual grasp of the nature of the Mass is greatly facilitated by listening to the sublime strains of Gregorian Chant sung by a well trained choir – not by the entire congregation.

Listening is, therefore, approved by the Pope as a way of participating fruitfully in the liturgy. This is reinforced in § 9, which states that the Chant must be sung by the choir for the benefit of the faithful who listen, and in such a way that it must be intelligible to them, i.e., clearly enunciated so as not to obscure the text. (3)

But, in order to produce the desired effect of appealing to the higher faculties of the soul, especially the intellect, the execution of the Chant must be undertaken by trained choirs: the voices must be pure, restrained, lacking any element of worldliness or self-expression. This was one of the reasons why the Pope did not include a role for the congregation in singing any part of the liturgy.

Sacred music in the Mass has always been regarded as “participatory” for the faithful insofar as it functions to edify, educate and lift them to devotion. So, pursuing one’s private devotions to the background of liturgical chant performed by the choir cannot be interpreted as non-participation. Yet the liturgical reformers argued that a true understanding of the Mass by the faithful required the elimination of such silent prayers in favor of direct vocal participation. Pope Pius X had given no such directive.

“In ancient times”

Liturgists have hastily jumped to the conclusion that the Pope wanted the Church to return to the practice of the early Christians who had included some congregational singing in the liturgy. Where did they get that impression? Certainly not from the Latin version of the motu proprio, which mentions nothing about “ancient times.”



(https://www.traditioninaction.org/HotTopics/HTimages_b-f/F074_Monks15c.jpg)
The Pope called for a return to Gregorian chant following Catholic tradition
The impression arose from the vernacular texts regarding the meaning of the Latin phrase more maiorum (according to the customs of the ancestors) as used by Pope Pius X in § 3 with reference to Gregorian Chant. The Italian version uses the ambiguous expression “anticamente,” which could mean either in antiquity (4) or simply formerly. The English version, ignoring the second meaning, states that Gregorian Chant used to be the custom in some unspecified “ancient times.” But neither comes near to an accurate translation of more maiorum.

We need to know the relevance of this particular phrase and why it was chosen as being most appropriate. The mos maiorum (custom of the ancestors) was the unwritten code of traditional values observed by the ancient Romans and incorporated into their laws. It represented their time-honored cultural and social practices and provided guidelines for private, political and military life in Roman times. (5)

Just as adherence to tradition gave the Romans a sense of what was fitting and proper, the same could be said for the suitability of Gregorian Chant, which had a long and venerable tradition in the Church. The mos maiorum was the medium of transmission of Gregorian Chant, as the Pope explained: it had been handed down by tradition (quem transmisit traditio).

Now, we can see clearly why Gregorian Chant should be restored to the people: so that, through its special power to move the soul, they can once again participate in the liturgy more maiorum – according to the custom of previous generations of Catholics, before the fashion for theatrical and profane music had invaded the churches.

There is, thus, no reference to or recommendation of congregational singing, which, if it took place at some times and in some places, was never an established and universal custom of the Roman rite. So, it could not have been designated as part of the mos maiorum.

We can be sure that the translation “in ancient times” is false for two reasons. First, because more maiorum refers to an ongoing, unbroken tradition, and, second, because customs that have been discarded for centuries cannot be reincorporated into the liturgy without destroying its intrinsically traditional nature. Indeed, any attempt to do so was later condemned as “antiquarianism” by Pope Pius XII in Mediator Dei.

Continued (https://www.traditioninaction.org/HotTopics/f075_Dialogue_3.htm)



  • Thus we read, for instance, in De Bello Africo Commentarius that “Quibus ex rebus Caesar vehementer commotus” (Caesar was greatly alarmed by these things), and in De Bello Civili that his famous Ninth Legion was “vehementer attenuata” (greatly diminished).
  • In § 6, the Pope particularly deplored the style of music that had recently been used in the liturgy: “Among the different kinds of modern music, that which appears less suitable for accompanying the functions of public worship is the theatrical style, which was in the greatest vogue, especially in Italy, during the last century. This of its very nature is diametrically opposed to Gregorian Chant and classic polyphony, and therefore to the most important law of all good sacred music. Besides the intrinsic structure, the rhythm and what is known as the conventionalism of this style adapt themselves but badly to the requirements of true liturgical music.”
  • Clarity of enunciation was also emphasized by Canon 8 of the Council of Trent.
  • This is obviously not the intended meaning here for two reasons. First, Gregorian Chant as a distinctive corpus of music did not exist in the early Christian era. Secondly, the use of the Imperfect Tense “solevasì” in Italian indicates an action that had been going on for an extended period of time (such as the Gregorian Chant tradition), not something that had disappeared a long time ago (such as congregational singing), for which a different Past Tense would have had to be used.
  • Virgil’s Aeneid celebrates the mos maiorum of the Roman people, as depicted in the character of Aeneas. He epitomized the Roman ideal of pietas, the core concept of ancient Roman morality which included duties to religion, the family, the wider community and the patria.

Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: hansel on September 04, 2023, 08:54:43 AM

2) Was congregational singing an organic development of liturgical practice, consistent over the centuries until it was somehow eclipsed, only to be recovered by Pope St. Pius X?

A comprehensive historical/musicological assessment of the possibility (or lack) of congregational singing in Catholic churches from the 4th through the 15th centuries would be most interesting.

Based upon what we see in Catholic church music from the Renaissance onwards though, congregational singing doesn't seem to have been widespread during the 16th-18th centuries. With complex polyphonic mass settings that could only be sung by trained singers, "alternatim" masses involving verses played by organ solo, and complex orchestral masses with large choirs (like those of Mozart), there does not seem to be much which a congregation could sing during a mass in these time periods. In contrast, the Lutherans were introducing the "chorale" form in the 16th century.  This was basically the precursor to the standard 4 part hymns found in any standard 20th century "hymnal", whether Catholic or Protestant. These chorales were comparatively simple and short, and could easily be sung by a congregation. In the 19th and late 20th centuries, we saw some "Catholic" hymns arise that were sung by congregations (think of the popular ones sung in trad chapels like "Immaculate Mary", "Hail Holy Queen", etc.), as a sort of derivation of the Lutheran chorale/4 part hymn form. 

Interestingly, pipe organs built during the Renaissance/Baroque period may sound different depending on whether they were built in Protestant or Catholic regions of Europe. Organs in Northern Germany and Scandinavia (Protestant strongholds) were generally more incisive in sound tone, and were suited to leading/supporting a church full of congregational singers. Organs in Catholic France, Southern Germany, and Austria were also powerful in sound, but more colorful than piercing, and were better suited to play specialized instrumental organ music or accompany the mass rather than lead congregational singing. While not hard and fast, this does seem to echo general trends regarding congregational singing (or lack thereof) in Catholic vs Protestant churches during these time periods.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 04, 2023, 05:45:33 PM
1) Did Pope St. Pius X really include the word "attiva" in TLS, or was this slipped in later by someone else (and if so, why)?

2) Was congregational singing an organic development of liturgical practice, consistent over the centuries until it was somehow eclipsed, only to be recovered by Pope St. Pius X?

If both those questions could be affirmed, I would immediately abandon all my reservations on the subject (and possibly even if only the first could be affirmed).
Is the debate over this word really relevant now that it is clear that we are instructed by Pope St Pius X's Cardinal Vicar of Rome:

"In order to facilitate so important a work, it has seemed good to us to give a few practical rules to which BY ORDER OF THE HOLY FATHER, all persons are required to give ear.
1. The best ecclesiastical traditions demand that the whole assembly of the faithful should join in the singing..."

This, by order of the canonised antimodernist Pope who dedicated his pontificate to restoring all things in Christ. Where is the debate? Where are the reservations? Is this not necessarily the default position of all Traditional Catholics unless you hold certain facts that it is detrimental to the faith? 

Popes Pius XI and XII continued in this vein, and Archbishop Lefebvre, but we will judge them all to have been hostage to the liturgical vandals? Surely that is not a Catholic attitude? I am not about to tell St Pius X and Archbishop Lefebvre that I will not accept their liturgical practice until I have done my own study making sure it is not some kind of modernist novelty, are you? 
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 04, 2023, 08:29:37 PM
Is the debate over this word really relevant now that it is clear that we are instructed by Pope St Pius X's Cardinal Vicar of Rome:

"In order to facilitate so important a work, it has seemed good to us to give a few practical rules to which BY ORDER OF THE HOLY FATHER, all persons are required to give ear.
1. The best ecclesiastical traditions demand that the whole assembly of the faithful should join in the singing..."

This, by order of the canonised antimodernist Pope who dedicated his pontificate to restoring all things in Christ. Where is the debate? Where are the reservations? Is this not necessarily the default position of all Traditional Catholics unless you hold certain facts that it is detrimental to the faith?

Popes Pius XI and XII continued in this vein, and Archbishop Lefebvre, but we will judge them all to have been hostage to the liturgical vandals? Surely that is not a Catholic attitude? I am not about to tell St Pius X and Archbishop Lefebvre that I will not accept their liturgical practice until I have done my own study making sure it is not some kind of modernist novelty, are you?

It is absolutely essential to the debate:

The Cardinal Vicar may have introduced St. Pius X's motu proprio, but it is the contents of that MP which are in dispute.

As for the notion I am compelled to accept whatever liturgy Lefebvre accepted, I am not persuaded. 

As I said to one Resistance priest who had no issue with the dialogue Mass:

"Greetings Fr. X-

Thank you for these helpful responses. 

Yes, it is certainly true, as we were taught in the SSPX seminary (Liturgy I, a class in which I received a perfect score), that the modernist and subversive liturgical movement was ubiquitous and successful everywhere except the Anglo-Saxon countries, and the dialogue Mass was their first major victory.

That the dialogue Mass predates the Council and was “normal” in France by then makes it pass for being “traditional,” but that it was a significant innovation animated by unCatholic liturgical principles is forgotten.

It was unknown in the Catholic world prior to 1910’s, and of course, this innovation was a preparatory stage for the complete overhaul of the Roman rite.

That Lefebvre accepted the dialogue Mass as normal was clearly a pastoral and uncritical decision (ie., it was already “normal” in Europe), and his battle was with the Council, nor preconciliar liturgical innovations.  But that Lefebvre’s liturgical preferences were uncritical is proven by his having initially used the 1965 missal in Econe (which was full of modernism), and also by the fact that even prior to his death, many parts of France and Germany say much of the Mass in the vernacular.

Consequently, the argument from authority (ie., “Lefebvre wanted the dialogue Mass”) is not persuasive

The same argument can be said of Pius XII’s experimental Novus Ordo of Holy Week: There is no way these experimental rites can be described as “traditional,” because they had only a 13 year existence in the history of the Church, and had to destroy 1,000 years of real tradition to prepare the terrain for the later experimentation which would become the Novus Ordo.

With each passing year, liturgical scholarship reveals a greater understanding of the revolutionary nature of the unCatholic liturgical movement, it’s methods, and it’s goals, such that today even the Ecclesia Dei communities are reverting to the pre-1956 Holy Week.  It would be very ironic if the SSPX and Resistance became the most liturgically liberal groups in Tradition out of deference to Lefebvre! 

A little story for you:  I recall Fr. Iscara teaching us about the liturgical movement, and how by 1920 it was no longer Catholic.  He taught us how the innovators proceeded, what their principles were, etc.  I raised my hand in class and asked, “But Fr. Iscara, if these same principles are all contained in the dialogue Mass, then why are we saying the dialogue Mass every Saturday?”  He looked at me and laughed, and said, “You need to go talk to the bishop.”

It was at that moment I knew my concerns were valid, and that the incoherence between studying the history of a subversive liturgical movement which brought us to the Novus Ordo in order to fight that movement, while simultaneously accepting its intermediate products (experimental dialogue Mass; experimental Holy Week), was counterproductive. 

It taught me that the SSPX did not have a principled liturgical position, but a practical one. 

But if Lefebvre himself could change from the 1965 transitional missal to 1962 transitional missal, surely there is no reason it could not recover the traditional missal (especially since Lefebvre’s decisions in this regard were practical, and not doctrinal).

What do you think?  I believe this is a healthy conversation, and should not cause any problems.  I do not believe resistance faithful who prefer the traditional rites to the experimental/transitional ones should be made to feel like traitors simply because they are honest about the history of the liturgical reform.

Semper Idem,
Sean Johnson



Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 04, 2023, 08:35:08 PM
PS: Supposing it was all as you say, and St. Pius X actually did want congregational singing, you do realize that he did not compel it, right (i.e., the Chuch has always respected the sensibilities of the faithful, and never compelled them to respond in any particular way)?
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 04, 2023, 09:21:32 PM
PS: Supposing it was all as you say, and St. Pius X actually did want congregational singing, you do realize that he did not compel it, right (i.e., the Chuch has always respected the sensibilities of the faithful, and never compelled them to respond in any particular way)?
As I say, or as the Cardinal Vicar of Rome said, "which by order of the Holy Father all are required to give ear."? I am amazed you dispute that. It would take some pretty serious conspiracy facts (not theories) to refuse this as being Pope St Pius X's directive. It doesn't sound to me like he is inviting us to follow his liturgical reform if it does not offend our sensibilities, but rather, that he is restoring divine worship according to the will of Holy Mother Church. That the whole assembly of the faithful should join in the singing is the very first rule he lays down after stating that this is by order of the Holy Father. Let the scholars do their work. But let us continue to worship in the way that has been handed down to us until a more competent ecclesiastical authority determines otherwise. Or else we will have nothing but confusion and disunity in the Church. There is enough of that already.

Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SeanJohnson on September 05, 2023, 06:59:42 AM
As I say, or as the Cardinal Vicar of Rome said, "which by order of the Holy Father all are required to give ear."? I am amazed you dispute that. It would take some pretty serious conspiracy facts (not theories) to refuse this as being Pope St Pius X's directive. It doesn't sound to me like he is inviting us to follow his liturgical reform if it does not offend our sensibilities, but rather, that he is restoring divine worship according to the will of Holy Mother Church. That the whole assembly of the faithful should join in the singing is the very first rule he lays down after stating that this is by order of the Holy Father. Let the scholars do their work. But let us continue to worship in the way that has been handed down to us until a more competent ecclesiastical authority determines otherwise. Or else we will have nothing but confusion and disunity in the Church. There is enough of that already.

There are no rubrics for the faithful.

“Answer: First of all we should recall that none of these rules is obligatory. It is merely the wish of the Church that the faithful participate actively at Mass, but she does not want to force anything. The best answer we can give you would be by giving you an extract of the general rubrics for Mass taken from the Roman Missal:”

https://sspx.org/en/attendance-and-participation-mass
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on September 05, 2023, 05:22:21 PM
There are no rubrics for the faithful.

It is merely the wish of the Church...
Hmmm....

I would say the French would certainly agree with this. Have you ever attended Mass at St Nicolas du Chardonnet? Talk about a free-for-all!

Thanks for the spar, Sean. Have a good one!
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 01:00:16 AM
I have revived this thread after stumbling across new evidence from memoirs of Cardinal Merry Del Val demonstrating that Pope St Pius X did indeed want congregational singing of Gregorian Chant:

https://isidore.co/misc/Res%20pro%20Deo/TheCatholicArchive_OCRed/OCR_layer_only/Memories%20of%20Pope%20Pius%20X%20by%20Cardinal%20Merry%20Del%20Val,%201951_OCR.pdf

PIUS X AND MUSIC (p53)
One of his cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant and the psalms and hymns at Sunday Vespers. He frequently expressed regret that more importance was not given to a practice which enabled people really to understand and deeply to feel the significance of Catholic worship, and which, if extensively applied, would attract so many to a knowledge and fulfillment of their religious duties. An effectual method of attaining this object appeared to him to be, that in every diocese a capable teacher of church music, approved by the Bishop, should spend a short time in each parish and there train a nucleus of singers, selected among the members of the congregation, who would soon lead the rest,
and then go round again at intervals, to improve what he had initiated and encourage progress.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 07:58:42 AM
OK, while what St. Pius X had in mind perhaps reflected some kind of ideal, in practice, it was a mistake to promote it and a disaster.  OK, MAYBE in Italy, where singing is so much a part of the culture that people learned how to sing before they could even talk ... but in 99.99% of situations, it's an unmitigated disaster.  Obviously this is from the 20/20 hindsight of what happened later, and also from a practical (vs. theoretical) standpoint.

Yes, I found it edifying to participate in the chant, especially the psalms and Divine Office at STAS, but in every other place where I found myself surrounded by congregational singing, it was an unmitigated disaster, with 3/4 of the congregation either mispronouncing or even badly butchering the Latin, and even a greater percentage unable to sing on key if their lives depended on it.  Some believed themselves to be Pavarotti reincarnated and belted stuff out an extreme high volumes (and many of these types mispronounced Latin and/or got the words wrong and/or were off key), drowning out many of the at-least-adequate singers around them.  In every case, it was headache-incuding, distracting, disedifying, and did harm to the dignity of the Mass.  Even St. Pius X stated that it would be better to have Low Mass than to have Sung Mass done BADLY, and I've never experienced it NOT done badly outside of STAS.  If someone tried to pull that nonsense at STAS, where they sang really loud, off key, were butchering the Latin, they'd be pulled aside and told to stop, to keep it very quiet until they could figure it out and learn how to do it correctly.

In addition, while hindsight is 20/20 and St. Pius X didn't anticipate the coming Liturgical revolution, it was a mistake to promote some notion that the ideal fo the Mass entailed "active" participation from the faithful, rather than primarily spiritual participation.  That's precisely the attitude that led inexorably to the Novus Ordo.  As one of the articles points out earlier in this thread, the translators of the Latin snuck in the adjective "active" for "active participation" that nowhere appears in the original Latin, exploiting this for later gain.

This is similar to other papal mistakes, such as when Pope Leo XIII in Providentissimus Deus made some ill-advised statemets that, when properly interpreted were correct, but then gave an opening for the Modernists to go to town on it to absolutely undermine Sacred Scripture.  Or when Pius IX made some statements about EENS that were technically correct, but which the EENS-haters went to town on, distorting and misinterpreting it to undermine EENS dogma.  Pius IX himself was surprised and angry about the prevailing (mis)interpretation, but he made a mistake in not realizing that this would happen.  Pius XII did LOTS of stuff that were highly regrettable that led to disasters, such as allowing discussion of evolution, opening the door to NFP as Catholic birth control, setting up Bugnini to start the liturgical experimentation, permitting various experimental Masses, such as the "Mass of the Future", permitting Catholics to participate in the first Ecuмenical gatherings, and on and on and on.

So, not only was this an ill-advised step toward the notion of "active [physical vs. spiritual] participation" being essential to or ideal for the Liturgy, but congregational singing is fraught with the danger of not being distinguished from the purely liturgical parts of the Mass that are inherently intended for CLERICS to execute, taking a step towards the whole notion of "lay ministers", where the roles in the Mass were merely different "parts" rather than as public prayer of the Church that were extensions of the priesthood (formerly requiring Minor Orders as a result), leading ultimately and inexorably to this notion of the "priesthood of the faithful".

So, maybe in Heaven, or in an ideal state ... to some extent (without blurring the distinction between the faithful and the clergy), but in practice an unmitigated disaster that the Modernists would also exploit to completely undermine Catholic theology regarding the Liturgy.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SimpleMan on January 13, 2025, 08:58:35 AM
OK, while what St. Pius X had in mind perhaps reflected some kind of ideal, in practice, it was a mistake to promote it and a disaster.  OK, MAYBE in Italy, where singing is so much a part of the culture that people learned how to sing before they could even talk ... but in 99.99% of situations, it's an unmitigated disaster.  Obviously this is from the 20/20 hindsight of what happened later, and also from a practical (vs. theoretical) standpoint.

Yes, I found it edifying to participate in the chant, especially the psalms and Divine Office at STAS, but in every other place where I found myself surrounded by congregational singing, it was an unmitigated disaster, with 3/4 of the congregation either mispronouncing or even badly butchering the Latin, and even a greater percentage unable to sing on key if their lives depended on it.  Some believed themselves to be Pavarotti reincarnated and belted stuff out an extreme high volumes (and many of these types mispronounced Latin and/or got the words wrong and/or were off key), drowning out many of the at-least-adequate singers around them.  In every case, it was headache-incuding, distracting, disedifying, and did harm to the dignity of the Mass.  Even St. Pius X stated that it would be better to have Low Mass than to have Sung Mass done BADLY, and I've never experienced it NOT done badly outside of STAS.  If someone tried to pull that nonsense at STAS, where they sang really loud, off key, were butchering the Latin, they'd be pulled aside and told to stop, to keep it very quiet until they could figure it out and learn how to do it correctly.

In addition, while hindsight is 20/20 and St. Pius X didn't anticipate the coming Liturgical revolution, it was a mistake to promote some notion that the ideal fo the Mass entailed "active" participation from the faithful, rather than primarily spiritual participation.  That's precisely the attitude that led inexorably to the Novus Ordo.  As one of the articles points out earlier in this thread, the translators of the Latin snuck in the adjective "active" for "active participation" that nowhere appears in the original Latin, exploiting this for later gain.

This is similar to other papal mistakes, such as when Pope Leo XIII in Providentissimus Deus made some ill-advised statemets that, when properly interpreted were correct, but then gave an opening for the Modernists to go to town on it to absolutely undermine Sacred Scripture.  Or when Pius IX made some statements about EENS that were technically correct, but which the EENS-haters went to town on, distorting and misinterpreting it to undermine EENS dogma.  Pius IX himself was surprised and angry about the prevailing (mis)interpretation, but he made a mistake in not realizing that this would happen.  Pius XII did LOTS of stuff that were highly regrettable that led to disasters, such as allowing discussion of evolution, opening the door to NFP as Catholic birth control, setting up Bugnini to start the liturgical experimentation, permitting various experimental Masses, such as the "Mass of the Future", permitting Catholics to participate in the first Ecuмenical gatherings, and on and on and on.

So, not only was this an ill-advised step toward the notion of "active [physical vs. spiritual] participation" being essential to or ideal for the Liturgy, but congregational singing is fraught with the danger of not being distinguished from the purely liturgical parts of the Mass that are inherently intended for CLERICS to execute, taking a step towards the whole notion of "lay ministers", where the roles in the Mass were merely different "parts" rather than as public prayer of the Church that were extensions of the priesthood (formerly requiring Minor Orders as a result), leading ultimately and inexorably to this notion of the "priesthood of the faithful".

So, maybe in Heaven, or in an ideal state ... to some extent (without blurring the distinction between the faithful and the clergy), but in practice an unmitigated disaster that the Modernists would also exploit to completely undermine Catholic theology regarding the Liturgy.

As a kind of side thought, the Novus Ordo basically makes everyone into an acolyte, making all of the responses, and furiously paging through their hand missals on top of that.  You can always spot the newcomers at the TLM, bless their hearts, taking those bilingual missals that many TLM sites have, and trying to follow along word-for-word as though they were at the Novus Ordo.  It needs to be explained to them that, no, it's not going to be quite the same, don't worry about following along.

I did this at my very first TLM (St Athanasius in Virginia, late 1980s), only with a small bound missal my father got me at an estate sale (he was always going to those), and thinking "well, it'll be just like the Latin Novus Ordo, I'll just follow along like I do there, and make the responses", and when I couldn't hear or understand a thing, and Mass was over before I knew it, I came out of the nave bewildered and said to myself "was that a Mass?".  Thankfully I kept going back, and things began to make sense.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 08:23:59 PM
OK, while what St. Pius X had in mind perhaps reflected some kind of ideal, in practice, it was a mistake to promote it and a disaster.  OK, MAYBE in Italy, where singing is so much a part of the culture that people learned how to sing before they could even talk ... but in 99.99% of situations, it's an unmitigated disaster.  Obviously this is from the 20/20 hindsight of what happened later, and also from a practical (vs. theoretical) standpoint.
I'm sorry to hear your experience has been such a bad one, Ladislaus.

I do recall one SSPX priest having to interrupt his Mass and turn around to address the choir: "Would the schola please stop singing"! Unfortunately, the holy Pope's directives have not always been followed regarding training etc, most understandable given the situation in the Church.

In spite of all that, my experience has been the opposite of yours and I would say that it was a stroke of genius from St Pius X and has greatly edified the Church. Thank you St Pius X! Thank you Archbishop Lefebvre! And of course Deo gratias!
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Giovanni Berto on January 13, 2025, 09:14:43 PM
Pope Pius X was a saint, no doubt about that, but not every decision he made was a wise one. Saints are not infallible.

I don't know much about the Breviary, but it seems to me that his reform was uncalled for and somewhat tradition breaking.

The case here seems to be the same. I don't live among "traditional" Protestants, but it seems to me that congregational singing is a trademark of them. I really dislike when people say the acolite's responses out loud or when they sing along with the choir. I love silence at mass. A sung mass obviously has less of it, but even then, you can get contemplative when you hear the choir at a distance, but not when you have an opera singer belting the Kyrie eleison by your side.

All things considered, it makes much more sense to me if we see the holy Pope's directives as aimed at a particular people at a particular time. He never left Northern Italy a single time on his whole life, as far as I am aware.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 09:29:11 PM
As a kind of side thought, the Novus Ordo basically makes everyone into an acolyte, making all of the responses, and furiously paging through their hand missals on top of that.  You can always spot the newcomers at the TLM, bless their hearts, taking those bilingual missals that many TLM sites have, and trying to follow along word-for-word as though they were at the Novus Ordo.  It needs to be explained to them that, no, it's not going to be quite the same, don't worry about following along.
On the contrary, what better way to attend Holy Mass than with the very words Holy Mother Church uses? I am no newcomer, and this is certainly my preferred method to pray the Mass.

That's not to say there are not other ways of attending Mass as you rightly suggest. I derived great profit in my younger years from reading St Leonard of Port Maurice's Hidden Treasure, Holy Mass which gives a method of assisting at Mass whereby we divide it into four parts, each dedicated to one of the four ends of the Mass/prayer i.e. adoration, thanksgiving, reparation and supplication. However, the very prayers of the Mass fulfill this same purpose, obviously.

This is a quote taken from a 1953 pastoral letter of Bishop de Castro Mayer: "Mediator Dei (http://www.vatican.va/holy_father/pius_xii/encyclicals/docuмents/hf_p-xii_enc_20111947_mediator-dei_en.html) insists upon union with the intentions of Christ our Lord and that of the celebrant, and leaves it entirely up to the faithful how to realize this end... All exclusivity in this matter is reproachable."

Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 09:48:14 PM
On the contrary, what better way to attend Holy Mass than with the very words Holy Mother Church uses? I am no newcomer, and this is certainly my preferred method to pray the Mass.

That's not to say there are not other ways of attending Mass as you rightly suggest. I derived great profit in my younger years from reading St Leonard of Port Maurice's Hidden Treasure, Holy Mass which gives a method of assisting at Mass whereby we divide it into four parts, each dedicated to one of the four ends of the Mass/prayer i.e. adoration, thanksgiving, reparation and supplication. However, the very prayers of the Mass fulfill this same purpose, obviously.

This is a quote taken from a 1953 pastoral letter of Bishop de Castro Mayer: "Mediator Dei (http://www.vatican.va/holy_father/pius_xii/encyclicals/docuмents/hf_p-xii_enc_20111947_mediator-dei_en.html) insists upon union with the intentions of Christ our Lord and that of the celebrant, and leaves it entirely up to the faithful how to realize this end... All exclusivity in this matter is reproachable."

Agreed.  In terms of the internal (true) participation in the Mass, everyone's different.  Now, where the line needs to be drawn is where the "newcomers" actually say the responses out loud ... even when it's not a "Dialog" Mass and no one else is doing it ... because they've been trained in the Novus Ordo that somehow a silent participation is inadequate and means that you're not REALLY participating in the Mass.  Consequently, they feel compelled to make responses out loud.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 09:54:37 PM
Pope Pius X was a saint, no doubt about that, but not every decision he made was a wise one. Saints are not infallible.

I don't know much about the Breviary, but it seems to me that his reform was uncalled for and somewhat tradition breaking.

The case here seems to be the same. I don't live among "traditional" Protestants, but it seems to me that congregational singing is a trademark of them. I really dislike when people say the acolite's responses out loud or when they sing along with the choir. I love silence at mass. A sung mass obviously has less of it, but even then, you can get contemplative when you hear the choir at a distance, but not when you have an opera singer belting the Kyrie eleison by your side.

All things considered, it makes much more sense to me if we see the holy Pope's directives as aimed at a particular people at a particular time. He never left Northern Italy a single time on his whole life, as far as I am aware.

We've probably lost a lot of the detail in this high-level discussion.  I can see certain aspects of singing along to be beneficial.  As I mentioned, while I personally prefer quiet/Low Masses, I did derive much spiritual benefit from singing the Office / Psalms at STAS.  But that also had to be balanced against the potential bad message where the distinction between the clerical/priests aspect of the Church's Public Prayers gets conflated with the faithful's participation, to the point that we've seen culminating in the Novus Ordo.  Again, of course, we have the benefit of hindsight, which is always 20/20.  And it's also possible that we're overreacting a bit in the OTHER direction due to the abuse of this we've seen with the Novus Ordo, potentially throwing some baby out with the proverbial bathwater.  I think in a way we've all lost our bearings due to havoc cause by Novus Ordo.

I do know of some Traditional Catholics who regret some of the changes St. Pius X made to not only the Breviary but also to the Feast Day (and Classes of Feasts) in the calendar, etc.

But, yes, in PRACTICE, apart from seminary, every attempt at congregational participation that I've been in the midst of, whether in terms of singing or of "dialog" has been an unmitigated disaster, a cacophony, and not befitting the Holy Sacrifice of the Mass.  Perhaps it may have worked in Italy where singing was second-nature to people, but in the US, watch out!
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 09:57:06 PM
I do recall one SSPX priest having to interrupt his Mass and turn around to address the choir: "Would the schola please stop singing"!

:laugh1:

Of course, I find that a bit uncharitable (and have seen priests do similar) to do it during the Mass.  I would just very quietly and kindly take it up outside the Mass.  This would be very humiliating to the poor souls in the choir who were undoubtedly trying their best.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 09:57:42 PM
Pope Pius X was a saint, no doubt about that, but not every decision he made was a wise one. Saints are not infallible.

I don't know much about the Breviary, but it seems to me that his reform was uncalled for and somewhat tradition breaking.

The case here seems to be the same. I don't live among "traditional" Protestants, but it seems to me that congregational singing is a trademark of them. I really dislike when people say the acolite's responses out loud or when they sing along with the choir. I love silence at mass. A sung mass obviously has less of it, but even then, you can get contemplative when you hear the choir at a distance, but not when you have an opera singer belting the Kyrie eleison by your side.

All things considered, it makes much more sense to me if we see the holy Pope's directives as aimed at a particular people at a particular time. He never left Northern Italy a single time on his whole life, as far as I am aware.
We all have different temperaments, different sensibilities, different preferences...

However, Pope St Pius X was not talking to a particular people but to the whole Church: "Our present Instruction, to which, as to a juridical code of sacred music, We will with the fullness of Our Apostolic Authority that the force of law be given, and We do by Our present handwriting impose its scrupulous observance on all". Subsequent Popes, before the Vatican II revolution, continued in the same vein. We are not free to reject such disciplinary measures unless they are a danger to the Faith.

Congregational singing is a trademark of Catholics. "He who sings prays twice", says St Augustine.

History is a witness to the fact that a great number of pagans converted and became civilized due to the singing of liturgical chants in the old basilicas, where the bishop, the clergy and the faithful sang alternately the divine praises. In these churches, the opponents of the Catholic Faith learned to know what the dogma of the Communion of Saints meant. The Emperor Valens, for instance, was overcome and fainted at the sight of the majesty wherewith St. Basil celebrated the divine mysteries; the heretics of Milan blamed St. Ambrose that the crowds were fascinated by the liturgical chants, and the same chants moved Augustine to adhere to faith in Christ. Later on in the Middle Ages, almost the whole town would form an enormous singing choir at religious events. The craftsmen, architects, sculptors and even scholars at this period drew their knowledge of things theological from the liturgy, and up till today their inspiration is marked out in their monuments (Pius XI, Divini Cultus, December 20, 1928).

Here is some more evidence of the traditional practice from Fortesque's The Mass: A Study of the Roman Liturgy (1912):

"In the Middle Ages it [the Creed] was commonly sung, not by the choir, but by all the people... The excellent custom that all the people should sing at least the creed has lasted in parts of France and Germany and is now being revived. Another mediaeval practice was that while the choir sang the creed the people sang 'Kyrie eleison'."
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 10:00:49 PM
:laugh1:

Of course, I find that a bit uncharitable (and have seen priests do similar) to do it during the Mass.  I would just very quietly and kindly take it up outside the Mass.  This would be very humiliating to the poor souls in the choir who were undoubtedly trying their best.
No, no, Ladislaus. Not if you had heard that choir! It was certainly not what St Pius X had in mind and needed to be terminated! It was a cacophony beyond belief...
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 10:05:08 PM
Here is some more evidence of the traditional practice from Fortesque's The Mass: A Study of the Roman Liturgy (1912):

"In the Middle Ages it [the Creed] was commonly sung, not by the choir, but by all the people... The excellent custom that all the people should sing at least the creed has lasted in parts of France and Germany and is now being revived. Another mediaeval practice was that while the choir sang the creed the people sang 'Kyrie eleison'."

I find myself a bit suspicious of such claims, that the Creed was "commonly" sung by all the people.  Father Cekada released a great video which surprised me very much, where he showed that the beginning movements of the Liturgical Revolution started MUCH earlier than I had suspected.  By the early 1900s, the game was probably afoot.  I think that we have to be careful about this bias I see among Traditional Catholics where it's almost assumed that anything before 1950s or so is guaranteed "Traditional".

I say that I'm skeptical of such claims because having been involved with Classical Studies (Greek, Latin, Hebrew, Church Fathers, etc.) ... many such claims are made on very flimsy evidence, and are very much anecdotal at best, without any kind of adequate sample size.  There was a lot of variation out there due to the lack of ready access to printed materials (very expensive) and due to poor communication.  That's precisely why St. Pius V stepped in with Quo Primum to reign in the massive amount of variety.

As I said, I've found many such claims based upon very flimsy evidence, and in fact the Antiquarianists who wrecked the Tridentine Mass had a field day by presenting their baseless speculations about Liturgy in the "Early Church" as if it were known/established fact.  It was based 100% on speculation that I completely disagree with, where IMO the reality was quite the opposite based on what's known about the attitudes of the early Christians, which in some ways were derived from the Jєωιѕн ones.  We see the Apostles in fact still going to the temple early on, and the notion of these nearly 100% "ad libbed" Liturgies the Modernist Antiquarians claimed were going on in the early Church are absolutely foreign to their mindset.  Cf. the remarkable similarities in the book "How Christ Said the First Mass", not to mention the amazing similarities between Liturgies across the world that emerged after the Church could come out from underground and where communication between different parts of the world was not great.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 10:09:48 PM
Also moms giving off a somewhat charismatic vibe.

Trying to imagine this one.  Were they striking up the old "orans" pose during the Pater Noster and saying it along with the priest?  :laugh1:

(https://d1rsehu7wj3da5.cloudfront.net/images/articles/jumbo/5787-042e3569-a243-4063-849b-6d1639e253c0.jpg)
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Giovanni Berto on January 13, 2025, 10:10:09 PM
We all have different temperaments, different sensibilities, different preferences...

However, Pope St Pius X was not talking to a particular people but to the whole Church: "Our present Instruction, to which, as to a juridical code of sacred music, We will with the fullness of Our Apostolic Authority that the force of law be given, and We do by Our present handwriting impose its scrupulous observance on all". Subsequent Popes, before the Vatican II revolution, continued in the same vein. We are not free to reject such disciplinary measures unless they are a danger to the Faith.

Congregational singing is a trademark of Catholics. "He who sings prays twice", says St Augustine.

History is a witness to the fact that a great number of pagans converted and became civilized due to the singing of liturgical chants in the old basilicas, where the bishop, the clergy and the faithful sang alternately the divine praises. In these churches, the opponents of the Catholic Faith learned to know what the dogma of the Communion of Saints meant. The Emperor Valens, for instance, was overcome and fainted at the sight of the majesty wherewith St. Basil celebrated the divine mysteries; the heretics of Milan blamed St. Ambrose that the crowds were fascinated by the liturgical chants, and the same chants moved Augustine to adhere to faith in Christ. Later on in the Middle Ages, almost the whole town would form an enormous singing choir at religious events. The craftsmen, architects, sculptors and even scholars at this period drew their knowledge of things theological from the liturgy, and up till today their inspiration is marked out in their monuments (Pius XI, Divini Cultus, December 20, 1928).

Here is some more evidence of the traditional practice from Fortesque's The Mass: A Study of the Roman Liturgy (1912):

"In the Middle Ages it [the Creed] was commonly sung, not by the choir, but by all the people... The excellent custom that all the people should sing at least the creed has lasted in parts of France and Germany and is now being revived. Another mediaeval practice was that while the choir sang the creed the people sang 'Kyrie eleison'."

Interesting bits about congregational singing in the Middle Ages and before. I did not know about that.

He was surely talking to the whole Church and I was never meant to disobey the Holy Pope. I was merely saying the he might have thought that it would work for the whole Church based on his pastoral experience, which was very rich and decades long, but limited to a certain culture.

It is very difficult to have a grounded opinion when we are so far removed from the circuмstances on which these directives were made.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 13, 2025, 10:18:59 PM
Sure, lots of references taken out of context, including the alternating singing, which almost always refers to singing the Psalms and not the Mass per se.  As I said, little bits of information are taken (usually out of context) by those with an agenda and woven together into a narrative.  Just be careful taking the "findings" of various scholars as fact, simply because they take some quote from a Father or the "Middle Ages" out of context.  I see this nonsense being done dishonestly ALL THE TIME.  I myself require seeing the full context before drawing a conclusion, because it's easy to be deceived by people who have an agenda.

We need to be clear about WHAT people are singing and in what context and when, etc. ... before making some claim that there's some categorical God-given mandate for singing.

In fact, various Antiquarianists also try to make these same types of claims about Communion in the Hand where they make assertions that it was widespread in the "early Church" based on a combination of flimsy evidence, assumptions, and an agenda.

And of course, over time, the Holy Ghost in some areas may have improved the Church's discipline, as St. Thomas points out and so does Pius XII in Mediator Dei, where the Pope explains that just because something is found in some allegedly "older" text doesn't mean it's a better or somehow "more pure" discipline and that the current one used by the Church isn't better.

There was some use of "altar girls" even in parts of the Church early on, and we know this because a Pope had to explicitly condemn the practice.  Even the "early Church" was not immune to abuses and aberrations, nor were the Middle Ages, etc. ... especially since groups were more isolated.  Heck, even today, where communication is great, I've been in various chapels where the Liturgy is rather a mess and their practices have become rather non-standard and aberrant.  What would be the case back in the day when groups were even more isolated due to poorer communication and the expensiveness of written books.

But some "scholar" could find some isolated reference to an altar girl in use somewhere ... where it could have been an aberration ... and then extrapolate from that (based on their wishful thinking) that this was a widespread practice and somehow approved of by the Church overall in antiquity ... as I said, finding a fragment of information without full context, adding some fallacious assumptions, and then weaving it into some narrative consistent with whatever agenda they might have.

And, by the way, I see this kind of practice commonly even outside matters related to the Faith, in just secular historical matters, where in that case the underlying agenda for presenting speculation as scholarship and theory as fact happens to be some "scholar" trying to make a name of himself.  Heck, we see it all the time in modern science also, where someone takes a tiny bit of information, formulates a theory consistent with those facts, and then presents the theory as if it were proven fact, rather than just as a possibly-viable hypothesis not inconsistent with the currently-known facts.  And, yet, most of these hypotheses-presented-as-fact end up being falsifed and invalidated, replaced by the new "truths" within a very short period of time.  Yet people take the new one as "Gospel truth" even though it contradicts the previous one that was held with equal certainty.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 10:39:12 PM
Sure, lots of references taken out of context, including the alternating singing, which almost always refers to singing the Psalms and not the Mass per se.  As I said, little bits of information are taken (usually out of context) by those with an agenda and woven together into a narrative.  Just be careful taking the "findings" of various scholars as fact, simply because they take some quote from a Father or the "Middle Ages" out of context.  I see this nonsense being done dishonestly ALL THE TIME.  I myself require seeing the full context before drawing a conclusion, because it's easy to be deceived by people who have an agenda.

We need to be clear about WHAT people are singing and in what context and when, etc. ... before making some claim that there's some categorical God-given mandate for singing.

In fact, various Antiquarianists also try to make these same types of claims about Communion in the Hand where they make assertions that it was widespread in the "early Church" based on a combination of flimsy evidence, assumptions, and an agenda.

And of course, over time, the Holy Ghost in some areas may have improved the Church's discipline, as St. Thomas points out and so does Pius XII in Mediator Dei, where the Pope explains that just because something is found in some allegedly "older" text doesn't mean it's a better or somehow "more pure" discipline and that the current one used by the Church isn't better.

There was some use of "altar girls" even in parts of the Church early on, and we know this because a Pope had to explicitly condemn the practice.  Even the "early Church" was not immune to abuses and aberrations, nor were the Middle Ages, etc. ... especially since groups were more isolated.  Heck, even today, where communication is great, I've been in various chapels where the Liturgy is rather a mess and their practices have become rather non-standard and aberrant.  What would be the case back in the day when groups were even more isolated due to poorer communication and the expensiveness of written books.

But some "scholar" could find some isolated reference to an altar girl in use somewhere ... where it could have been an aberration ... and then extrapolate from that (based on their wishful thinking) that this was a widespread practice and somehow approved of by the Church overall in antiquity ... as I said, finding a fragment of information without full context, adding some fallacious assumptions, and then weaving it into some narrative consistent with whatever agenda they might have.

And, by the way, I see this kind of practice commonly even outside matters related to the Faith, in just secular historical matters, where in that case the underlying agenda for presenting speculation as scholarship and theory as fact happens to be some "scholar" trying to make a name of himself.  Heck, we see it all the time in modern science also, where someone takes a tiny bit of information, formulates a theory consistent with those facts, and then presents the theory as if it were proven fact, rather than just as a possibly-viable hypothesis not inconsistent with the currently-known facts.  And, yet, most of these hypotheses-presented-as-fact end up being falsifed and invalidated, replaced by the new "truths" within a very short period of time.  Yet people take the new one as "Gospel truth" even though it contradicts the previous one that was held with equal certainty.
Don't take anything in isolation, but everything together that I have posted in this thread. The only agenda we should have in these matters is that of the Church, not wanting irrefutable evidence to obey the Pope, but wanting irrefutable evidence that he did not say it or that we should not obey. Otherwise we should follow the liturgy that has been handed down to us. We need a very serious reason to go against the Pope as Archbishop Lefebvre said... a danger to the Faith. 

I think, for those who were doubting, I have provided very compelling evidence that, as the thread title states, Pope St Pius X did want congregational singing of the Gregorian Chant. And it was not a novelty. Nor was it antiquarianism for those who understand the term as used by the Church.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 13, 2025, 11:41:51 PM
More evidence of early congregational singing of the Mass from Fortesque:

SANCTUS

This is, of course, merely the continuation of the preface. It would be quite logical if the celebrant sang it straight on himself. But the dramatic touch of letting the people fill in the choral chant of the angels, in which (as the preface says) we also wish to join, is an obvious idea, a very early one and quite universal. Clement of Rome, after quoting the text Is. vi, 3 says (or implies) that we sing these words together...

The Liber Pontificalis ascribes the Sanctus, as sung by the people, to Pope Sixtus I (119-128). We have seen that Clement I mentions it earlier; it seems plainly to be a tradition from the very beginning in all liturgies. 
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 14, 2025, 12:20:33 AM
More from Fortesque:

On the Kyrie:
The Pope [Gregory the Great, 590-604] says further that, in distinction to the Byzantine manner, at Rome clerks sing the Kyrie and the people answer... no doubt this was the manner of singing it in the daily Masses at which the litany was left out.

On the Agnus Dei:
The Liber Pontificalis says that Pope Sergius I (687-701) "ordered Agnus Dei qui tollis peccata mundi miserere nobis to be sung by clergy and people at the time of the breaking of the Lord's body". It occurs however in the Gregorian Sacramentary. At first it was sung once by the clergy and people. In the XIth cent. it is sung twice. The early docuмents come to the same thing, inasmuch as it was sung once by the clergy and once by the people...


Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Dominique on January 14, 2025, 04:24:34 AM
Yes, I found it edifying to participate in the chant, especially the psalms and Divine Office at STAS, but in every other place where I found myself surrounded by congregational singing, it was an unmitigated disaster, with 3/4 of the congregation either mispronouncing or even badly butchering the Latin, and even a greater percentage unable to sing on key if their lives depended on it.  Some believed themselves to be Pavarotti reincarnated and belted stuff out an extreme high volumes (and many of these types mispronounced Latin and/or got the words wrong and/or were off key), drowning out many of the at-least-adequate singers around them.  In every case, it was headache-inducing, distracting, disedifying, and did harm to the dignity of the Mass.  Even St. Pius X stated that it would be better to have Low Mass than to have Sung Mass done BADLY, and I've never experienced it NOT done badly outside of STAS.
My goodness!! It sounds like you're in my parish!! And we're not even in the same country! :laugh1:
Couldn't agree more.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 14, 2025, 06:39:42 AM
My goodness!! It sounds like you're in my parish!! And we're not even in the same country! :laugh1:
Couldn't agree more.

Over the years, I've been around many parishes in different parts of the country, and in every case of either congregational singing or "dialog" Mass, it's been that way.  As I said, maybe this is more a problem in the United States than in Europe, but it's definitely a problem.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 14, 2025, 06:45:19 AM
More from Fortesque:

So he says.  Few of us are interested in your pushing of this nonsense and fewer still want to hear people belting out off-key butchered Latin in our ear while attempting to assist at Mass.  There's no reason this is necessary.  There are some chapels (St. Peregrine in the Cleveland areas for instance) that have an exceptional Gregorian schola, and it's very edifying to listen to ... and it's not necessary or even a good thing physically move one's own vocal chords (vs. mentally following along with the sung prayer).  It's far better to lift your mind in prayer while listening to the well-done chant than to move one's jaw.  If you think otherwise, then you've been polluted with a Modernist perspective.  When the scholas sings, it's uplifting and edifying, and people coming in off the street experience what a Tridentine Mass SHOULD sound like.  When the congregation sing, all of that is ruined.  If I listen to the chant mentally, and it's good chant, and my mind follows along and is lifted up in prayer to God, that's far superior than my jaw moving and vocal chords being engaged while the mind is distracted from prayer by the surrounding cacophony.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: SimpleMan on January 14, 2025, 09:10:01 AM
On the contrary, what better way to attend Holy Mass than with the very words Holy Mother Church uses? I am no newcomer, and this is certainly my preferred method to pray the Mass.

That's not to say there are not other ways of attending Mass as you rightly suggest. I derived great profit in my younger years from reading St Leonard of Port Maurice's Hidden Treasure, Holy Mass which gives a method of assisting at Mass whereby we divide it into four parts, each dedicated to one of the four ends of the Mass/prayer i.e. adoration, thanksgiving, reparation and supplication. However, the very prayers of the Mass fulfill this same purpose, obviously.

This is a quote taken from a 1953 pastoral letter of Bishop de Castro Mayer: "Mediator Dei (http://www.vatican.va/holy_father/pius_xii/encyclicals/docuмents/hf_p-xii_enc_20111947_mediator-dei_en.html) insists upon union with the intentions of Christ our Lord and that of the celebrant, and leaves it entirely up to the faithful how to realize this end... All exclusivity in this matter is reproachable."

No problem either way.  And as Ladislaus points out, those who come from a Novus Ordo enviroment just assume that the responses are to be made by the faithful in an audible voice, because that's all they know.

I know there are different schools of thought on this, but I have no issue with "dialogue Masses", indeed, depending upon my mood at any particular Mass, I will often recite the acolytes' responses sotto voce, becoming basically an "acolyte in the pew".  It's up to the individual.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Viva Cristo Rey on January 14, 2025, 09:52:19 AM
If you are out in the congregation and know the music, why not sing?  

I’m sure the Lord is smiling and pleased with the person who sings off key compared to a choir member who is well trained but not in a state of grace.  

I have sang in many choirs since I was a child.  I have seen things.  

Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 15, 2025, 12:23:25 AM
It's far better to lift your mind in prayer while listening to the well-done chant than to move one's jaw.  If you think otherwise, then you've been polluted with a Modernist perspective.
Why am I not surprised that you would have us follow your opinion rather than the opinion and authority of Pope St Pius X? Are you even Catholic? I certainly agree with you moving your jaw less on this issue.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 15, 2025, 09:23:15 AM
Why am I not surprised that you would have us follow your opinion rather than the opinion and authority of Pope St Pius X? Are you even Catholic? I certainly agree with you moving your jaw less on this issue.

You're strawmanning my statement as a contradiction of St. Pius X.  What part of the fact that it's far better to mentally / interiorly participate in the Sacred Liturgy than to simply physically participate contradicts any Catholic teaching or anything that St. Pius X said, eh?  In fact, Our Lord Himself taught exactly that when he denounced the Pharisees who were big on words (honor God "with their lips") but their hearts were far from Him.  And, if there's a conflict between the two, where a badly done congregational chant or cacophonous "Dialog" Mass that creates a distraction from a pious interior participation in the Mass, i.e. where there's a conflict between the two, then safeguarding the prayerful atmosphere at Mass and also the dignity of the Sacred Liturgy trumps the need for physical participation.  It you don't accept this obvious truth, then you're more contaminated with Modernist thinking about the Sacred Liturgy than I thought.  Even St. Pius X clearly stated that a Low Mass is far preferable to a badly-done sung Mass.  Extrapolating from that statement, a Mass chanted well by a good/talented Gregorian schola that creates an atmosphere conducive to prayer and befitting the dignity of the Sacred Liturgy far outweighs and trumps a cacophonous exercise in "[physical] congregational participation".  What part of this is false or would give you the temerity to question whether I'm "Catholic"?  This is in fact Catholic, and you're a Modernist if you don't think it is.

Of course, the allegation that I'm not Catholic if I disagree with St. Pius X about one or another thing, mostly a matter of emphasis and practical application, than of principle ... is utterly ludicrous and absurd when your non-Catholic R&R thinks it's perfectly fine for "Catholics" to reject Ecuмenical Councils, and 60+ years of what you claim to be Catholic Magisterium, to claim that the Magisterium and Universal Discipline of the Church have gone thoroughly corrupt ... and yet I'm questionably "Catholic" because I believe that St. Pius X may have made an error in prudential judgment?  Really, the degree of contradiction here is utterly ludicrous, and it's utterly ridiculous that you're oblivious to it.

Ultimately with your non-Catholic R&R perspective, you make yourself the rule of faith, and so you can sit here and judge that I'm not Catholic because I disagree with a comparatively-minor issue (as stated, more one of emphasis and practical application, and with the hindsight perspective of epikeia, where we can now see clearly the extremes to which physical congregational participation can be taken) ... but you're perfectly Catholic for dumping an entire Ecuмenical Council that nearly all the world's bishops endorsed and taught, along with the approbation of the man you consider to be a legitimate pope?

Seriously?  Are you kidding?


:laugh1: :laugh2: :laugh1: :laugh2:
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 15, 2025, 10:24:44 AM
It's far better to lift your mind in prayer while listening to the well-done chant than to move one's jaw.  If you think otherwise, then you've been polluted with a Modernist perspective.

So this is the statement that Plenus declares to be not Catholic, that interior spiritual participation in the Mass is superior to physical participation.

I'm struggling to see how this statement would cause someone to ask:  "Are you even Catholic?"

Our Lord regularly emphasized interior prayer, denouncing those whose lips praised God but whose hearts were far from Him.

I'm not even sure how this is even mildly controversial.

St. Pius X said that it's better to have a Low Mass than a High Mass done badly.

So from those two premises, I conclude that it's better to have just a good/talented Gregorian chant schola sing the Mass while the congregations stands down, if the latter are going to sing the Mass badly, resulting in a cacophony that would actually detract from the dignity of the Mass and also interfere with those attempting to follow the Mass interiorly with the correct prayerful dispositions.  If I'm hearing cacophony around me, it's a distraction from prayer, whereas a talented Gregorian schola would have the opposite effect.

So, the extent to which participation or non-participation are conductive to the proper interior dispositions of those assisting at Mass, it can be much better to have the congregation NOT participate and to "stand down", as it were.

Now, where one might pick a fight with me is where I said that St. Pius X's emphasis (at least purported ... from the selective evidence cited by Plenus) may have been mistaken, from our perspective of 20/20 hindsight, where see now see the culmination of that trend in the Novus Ordo attitude which holds that interior-only participation is insufficient ... and where there's a blurring between the priestly/clerical aspect of the Sacred Liturgy with the role of the laity and the nature of their participation.  To undo this, one would probably have to eliminate congregational singing for about 10-15 years before bringing it back.  LOL
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Miseremini on January 15, 2025, 02:23:06 PM
I have always disliked and rejected congregational singing and the dialogue Mass.

Lately I have acquired Dr. Carol Byrne's book Born of Revolution Vol I.

When you read it you'll see the extensive research, wisdom and common sense and what Pope Saint Pius X actually wrote/said and not what some second person, even if that was one speaking for him, said/interpreted he said.

Below is a very brief sampling.

https://www.traditioninaction.org/HotTopics/f077_Dialogue_5.htm
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Dominique on January 15, 2025, 04:05:35 PM
Why am I not surprised that you would have us follow your opinion rather than the opinion and authority of Pope St Pius X? Are you even Catholic? I certainly agree with you moving your jaw less on this issue.
Well, that's not very charitable, to say the least!
What gives you more of a right to speak on this matter than Ladislaus???!!! 
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 15, 2025, 05:32:44 PM
Well, that's not very charitable, to say the least!
What gives you more of a right to speak on this matter than Ladislaus???!!!
Rather, what gives anyone the right to elevate his opinion above the authority of the Church, everyone from St Pius X to Archbishop Lefebvre and everyone in between and all the great liturgists like Dom Gueranger and Dr Fortesque? Some layman understands modernism but they do not? St Pius X directs the whole Church to follow this discipline, but I say it is modernism! It beggars belief that you would defend such an attitude of defiance of Church authority... to say the least!

But you are right, I could have said it more charitably...
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 15, 2025, 05:39:07 PM
I have always disliked and rejected congregational singing and the dialogue Mass.

Lately I have acquired Dr. Carol Byrne's book Born of Revolution Vol I.

When you read it you'll see the extensive research, wisdom and common sense and what Pope Saint Pius X actually wrote/said and not what some second person, even if that was one speaking for him, said/interpreted he said.

Below is a very brief sampling.

https://www.traditioninaction.org/HotTopics/f077_Dialogue_5.htm
Dr Byrne is clearly wrong in asserting that Pope St Pius X did not want congregational singing, that is the very purpose of this thread and all the evidence is there for anyone who wants to form an impartial judgement. This is nothing to do with our own personal likes and dislikes.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 15, 2025, 07:17:13 PM
Below is an excerpt from Archbishop Lefebvre's conference to the American seminarians in 1983. It clearly applies to this matter of Church discipline and answers objections made by some on this thread. The conference was given by the Archbishop in English:

What is the first principle to know what we must do in this
circuмstance, in this crisis in the Church? What is my principle?
The principle of the Church is the principle of St.1 Thomas Aquinas.
It is not my choice ; its not my favor ; its not my personal desire . .

I am nothing... I merely follow the doctrine of the Church. . .and this
doctrine is expounded by St. Thomas Aquinas... So what does St. Thomas
Aquinas say about the authority in the Church? When can we refuse
something from the authority of the Church? PRINCIPLE - Only when
the Faith is in question. Only in this easel Not in other cases. .

Only when the Faith is in question. . .and that is found in the Summa
Theological II II Q.33 a.4, ad 2m:

St. Thomas' answer is that we cannot resist to the
authority; we must obey; "Sciendum tamen est quod ubi
immineret periculum fidei." Periculum fidei . i.e., the
danger to our faith. .. "etiam publice essent praelate a
subditis arguendi", i.e., the subject can be opposed to
the authority if the Faith is in question ("periculum fidei" )»
"Unde et Paulus, qui erat subditus Petro, propter imminens
periculum scandali circa fidem, Petrum publice arguit," i.e.
St. Paul opposed St. Peter because it was a danger for
the Faith (cf. Galatians 2ill)."

That is the principle (of St. Thomas), and I cannot harbor
another motive to resist the Pope.. .it is very serious to be opposed
to the Pope, and to the Church. It is very serious , and if we think
that we must do that, we must do it (resist the Holy Father) only
to preserve our Faith, and not for any other motive.



Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Matthew on January 15, 2025, 08:02:27 PM
I guess my first thought was, “If congregational singing was so traditional, then why did the people need to be told they should be doing it?”

It reminded me of St. Pius X’s exhortation to receive daily communion: It might be a good thing for some, but it definitely wasn’t traditional.

I would respond that nevertheless, God wants it, and that we need to get with the times.

If Tradition meant nothing ever changed, even in response to heresies, the needs of the world, etc. then the Church wouldn't need a pope or living authority of any kind. And, the Church would never change. But the Church did change, during the first 1950 years of Her existence.
Not revolutionary (as at Vatican II, the "French Revolution in the Church") but organically. The idea that the Church can't change at all is an error. *God* doesn't change. The world does change, and men do change.

God doesn't change, but we do. So various devotions have arisen (which didn't exist before) such as the Sacred Heart devotion. The existence of that devotion -- started by God -- was a change.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Matthew on January 15, 2025, 08:10:01 PM
Wait a minute, then why do you elevate your opinions above those of Pope Francis Your Holy Father the Vicar of Christ on earth, the College of Cardinals the Princes of the Church, and all the bishops of the world who have Ordinary Jurisdiction and are Successor of the Apostles?

Doesn't that "beggar belief" as an "attitude of defiance of Church authority...to say the least"?

You're an idiot.

It's a basic tenet of Tradition that the pope (or Francis Bergoglio, depending on your opinion on the "pope question") is going astray and needs to be resisted to the face at best, ignored, or even condemned and/or rejected at worst.
Your argument is neither here nor there.
It seems to be typical sedevacantist prattle, trying to shame/force/cajole other Trads into embracing your sedevacantist opinion.

Your argument is false equivalency fallacy for starters.

No, rejecting countless solid popes, theologians, and founders of religious orders is NOT the same thing as rejecting modernists. But like I said -- that should be common sense. As you seem to be confused by the difference, I can only conclude your mind isn't strong enough to see the difference. Hence my opening salvo.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Plenus Venter on January 15, 2025, 08:46:21 PM
Wait a minute, then why do you elevate your opinions above those of Pope Francis Your Holy Father the Vicar of Christ on earth, the College of Cardinals the Princes of the Church, and all the bishops of the world who have Ordinary Jurisdiction and are Successor of the Apostles?

Doesn't that "beggar belief" as an "attitude of defiance of Church authority...to say the least"?
Did you read the post immediately above your comments?

You would have to hold that Pope St Pius X's promotion of congregational singing was a danger to the faith for this reply of yours to make any sense. Do you believe that? I don't think so. You are not even following the thread. You just use every opportunity to promote your sedevacantist beliefs whether they are relevant or not.

None of those down votes come from me by the way...
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Meg on January 15, 2025, 08:59:54 PM
 You are not even following the thread. You just use every opportunity to promote your sedevacantist beliefs whether they are relevant or not.

Agreed. Because the Pope question, to Johannes, is the most important aspect of our Catholic Faith. 
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Meg on January 15, 2025, 09:12:08 PM
If you are out in the congregation and know the music, why not sing? 

I’m sure the Lord is smiling and pleased with the person who sings off key compared to a choir member who is well trained but not in a state of grace. 

I have sang in many choirs since I was a child.  I have seen things. 

Well said. 
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Ladislaus on January 16, 2025, 02:19:52 PM
If you are out in the congregation and know the music, why not sing? 

I’m sure the Lord is smiling and pleased with the person who sings off key compared to a choir member who is well trained but not in a state of grace. 

I have sang in many choirs since I was a child.  I have seen things. 

So you should start singing even if no one else in the congregation is singing?  ... and create even more of a distraction than if you were just singing off-key (with butchered Latin) very loudly, in someone's ear?

So, this attitude of somehow the Lord being pleased by you exercising your vocal chords (even if you're ruining the dignity of the Mass, etc.) ... is actually contrary to what St. Pius X stated, that you should rather have a Low Mass than to do a High Mass BADLY.  If I were in a congregation and no one else in the congregation was singing, I would most certainly NOT just sing because I "know the music".  But perhaps you left that qualification unsaid.  So I'll assume you meant in a situation where most of the congregation were singing already.  But, even then, no, it's not OK to just belt out cacophonous nonsense (buthered Latin).

I think the entire presumption and premise of what St. Pius X said was that it should be done well.  That's why he mentioned having instructors go around helping the laity do it correctly.  Of course, it's not just necessarily a question of training, as some individuals are simply tone-def, and teaching the correct pronunciation of Latin might be a challenge.  For St. Pius X, Italian isn't THAT radically different from Latin (at least in terms of pronunciation) that it would present a problem, and, as I said earlier, Italians just seem to genetically be able to sing, even before they learn how to walk.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Pax Vobis on January 16, 2025, 02:33:08 PM
Quote
I’m sure the Lord is smiling and pleased with the person who sings off key
If someone KNOWS they can't sing, they shouldn't sing.  Singing in church is an act of the liturgy; it's a prayer.  Bad singing/off-key is a distraction and takes away from the prayerful-aspect of the music.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Meg on January 16, 2025, 02:48:21 PM
If someone KNOWS they can't sing, they shouldn't sing.  Singing in church is an act of the liturgy; it's a prayer.  Bad singing/off-key is a distraction and takes away from the prayerful-aspect of the music.

You quoted only half the sentence that Viva wrote. You left out the part where she compared the person who sings off-key with someone who sings well but is not in a state of grace. She also said that she's been in many choirs and seen things. I've been in choirs too and seen things too....those in the choir who are not living an honest Catholic life.....far from it. But maybe all that matters is that they sing well, so as to not offend those around them.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Pax Vobis on January 16, 2025, 03:21:52 PM
Quote
You quoted only half the sentence that Viva wrote. You left out the part where she compared the person who sings off-key with someone who sings well but is not in a state of grace.
I left it off, because her comment was stupid. 
God is more pleased at a dog than a person who is in mortal sin.  Should we invite all kinds of animals into church because of this false comparison?  Certainly not.

Quote
She also said that she's been in many choirs and seen things. I've been in choirs too and seen things too....those in the choir who are not living an honest Catholic life.....far from it.
Who cares?  Their job is to sing.  As long as their situation is not openly scandalous, their state of soul is none of your business.

If you and Viva were focused on singing properly in the choir, and also attending mass, you wouldn't have time to "see things" or to critique others.

Quote
But maybe all that matters is that they sing well, so as not to offend those around them.
Yes, their job is to sing well.  End of story.
Title: Re: Pope St Pius X Promoted Congregational Chant
Post by: Giovanni Berto on January 16, 2025, 03:25:05 PM
For St. Pius X, Italian isn't THAT radically different from Latin (at least in terms of pronunciation) that it would present a problem, and, as I said earlier, Italians just seem to genetically be able to sing, even before they learn how to walk.

When I was studying Latin pronuntiation, the source that I found said that Ecclesial Latin should be pronounced using the Italian accent of Rome. So, Italians don't learn to learn to pronounce Latin at all. They already know it. Of course, this is not considering the local dialects, some of which are quite a bit different from standart Italian.