The story goes, to ‘Christianise’ the obelisk if such a vulgar symbolic thing could ever be Christianised, Pope Nicholas V thought of placing the four Evangelists in bronze at its base and Jesus with a golden cross on the top. Pope Nicholas V died before he could do this. Pope Sixtus V’s intention, so they say, differed, from the obelisk being a ‘needle pointing to heaven’ to one of a sign or display of the temporal power that the Church had at the time. On this occasion, the Pope decided to place horses around its base rather than the four Evangelists that Nicholas V intended to do. He also omitted the Christ figure on top envisaged by his predecessor, leaving instead what were regarded as remnants of the true cross in the bronze sphere already at the top of the pedestal. To this he added a star over three mountains, his own personal family crest, and finally on top, a golden cross.
After the installation of the obelisk in 1586, a scandalous exercise we are led to believe, people being evicted out of their homes and properties to accommodate the new location (see Talisman), Pope Sixtus V decided it best to exorcise it and this was done with great liturgical aplomb. But all the blessings Rome could give this thing could not undo its original sun-god phallic symbolism. The irony of it all was that by placing a cross on the top of the obelisk in Rome, they actually recreated a more definitive representation of it when in the ‘City of the Sun,’ Anu-Heliopolis, the very place the symbolic phallic cut rock originally came from, for it too had a cross on top of it. All that was missing of the original site was a circle around its base with divisions of eight marked within it, ‘the standard pagan hieroglyphic indicator of a city.’