Author Topic: anti christ temporal power USA (Read 221 times)

Michelle · « **on:** March 07, 2026, 05:57:28 PM »

These are just some of my thoughts about the foundation of the United States. If anyone has more to add, please post them.

There are many examples in the founding of the US government to suggests it was established to be the temporal power of the Masonic antichrist, to establish the novus ordo seclorum. This new secular order which propagated religious indifference and freedom of speech has begotten a new Roman Pantheon under the guise of ʝʊdɛօ/false-christian values.

Some of these follows:

Washington D.C. is located in between Virgin-ia and Mary-land. George Washington's birthplace located on the banks of Potomac river which runs through both states.

It is situated on 7 hills like Rome

The Capitol building is modeled after St. Peter's basilica. The paintings in the dome depict George Washinton ascending into heaven like a god. Along with other pagan gods.
Description of the dome paintings in this link
Thehttps://youtu.be/mxtW0dPNl3s?si=ExFqudlvWCLVghVq

The grid layout of Washington is Masonic symbolism.

The crypt of Albert Pike, who called for 3 world wars to accomplish global domination is located in the Masonic lodge a block or so away.

Elon Musk and others have publicly referred to the United States as the New Roman Empire.

The United States has been the military might of the Zionists to subdue the world.

The Masonic Vatican ll, Novus Ordo religion is the spiritual power of the antichrist.

This new order is fueled by greed which has overthrown the Catholic order which was fueled by charity.

Examples:
The healthcare system once based on nutrition, compassion, and true medicine has been replaced by insurance companies and pharmaceuticals.

The education of the youth has been replaced with social engineering and propaganda.

The arts replaced with Hollywood, metal bands, pop music and so on.
These mediums replace virtue with vice.

Trades replaced with computers and factories.

Alms for the poor replaced with government handouts.

Community replaced with internet and virtual reality.

And of course, the true religion being Christ centered has been replaced with the man centered novus ordo Missae.

Simeon · « **Reply #1 on:** March 07, 2026, 06:19:44 PM »

Interesting Michelle.

I'll look at it more closely tomorrow.

Happy Laetare Sunday!

Michelle · « **Reply #2 on:** March 07, 2026, 08:16:00 PM »

Not to be confused with John James Barralet's Apotheosis of George Washington.

Learn more

This article needs additional citations for verification. (January 2025)

The Apotheosis of Washington is the fresco painted by Greek-Italian artist Constantino Brumidi in 1865 and visible through the oculus of the dome in the rotunda of the United States Capitol Building in Washington, D.C.

The Apotheosis of Washington on the ceiling of the Capitol rotunda inside the United States Capitol

Detail of George Washington in the fresco
The fresco is suspended 180 feet (55 m) above the rotunda floor and covers an area of 4,664 square feet (433.3 m²). The figures painted are up to 15 feet (4.6 m) tall and are visible from the floor below. The dome was completed in 1863, and Brumidi painted it over the course of eleven months at the end of the American cινιℓ ωαr. He was paid $40,000 ($841,304 in today's funds^[1]) for the fresco.
Brumidi had worked for three years in the Vatican under Pope Gregory XVI, and served several aristocrats as an artist for palaces and villas, including the prince Torlonia. He immigrated to the United States in 1852, and spent much of the last 25 years of his life working in the Capitol. In addition to The Apotheosis of Washington, Brumidi designed the Brumidi Corridors, ornately decorated corridors on the first floor of the Senate wing of the Capitol.^[2]
Symbolism
edit

Opposite George Washington is the banner E Pluribus Unum, Latin for "out of many, one".
The Apotheosis of Washington depicts George Washington sitting among the heavens in an exalted manner, or in literary terms, ascending and becoming a god (apotheosis). Washington, the first U.S. president and commander-in-chief of the Continental Army during the American Revolutionary War, is allegorically represented, surrounded by figures from classical mythology.
George Washington is draped in purple, worn by generals of the ancient Roman Republic during their triumphs, with a rainbow arch at his feet, flanked by the goddess Victoria, who is draped in green, blowing a horn, to his left and the goddess Liberty to his right. Liberty wears a red liberty cap, symbolizing emancipation, from a Roman tradition where slaves being manumitted would be given a felt cap (Latin pileus). She holds a fasces in her right hand and an open book in the other, to which George Washington gestures with his right hand.
Forming a circle between Liberty and Victory are 13 maidens, each with a star above her head representing the original Thirteen Colonies. Several of the maidens have their backs turned to George Washington, said^{[by whom?]} to represent the colonies that had seceded from the Union at the time of painting. Across the circle from George Washington is the banner E Pluribus Unum, Latin for "out of many, one".
Surrounding George Washington, the two goddesses and the 13 maidens are six scenes lining the perimeter, each representing a national concept allegorically: from directly below George Washington in the center and moving clockwise, "War", "Science", "Marine", "Commerce", "Mechanics" and "Agriculture". The perimeter scenes are not fully visible from the floor of the United States Capitol.

Michelle · « **Reply #3 on:** March 07, 2026, 08:37:39 PM »

presidential acceptance ceremony in Masonic lodge D.C

+6

President George Washington famously participated in a Masonic ceremony to lay the U.S. Capitol cornerstone on September 18, 1793, in D.C., using1793 Masonic rituals, regalia, and a silver trowel. While not a presidential inauguration, this event solidified the connection between early D.C. government and Fɾҽҽmαsσɳɾყ, with Washington often wearing his Masonic apron.

Facebook

Facebook

+2

Key Details on Masonic Inaugural/D.C. Connections:

Capitol Cornerstone (1793): Washington, a Mason, assisted in laying the cornerstone with the Grand Lodge of Maryland.

White House Cornerstone (1792): Laid in a formal Masonic ceremony, though Washington was not present.

Inaugural Bible: The Bible used for Washington’s 1789 inauguration was borrowed from St. John’s Masonic Lodge.

Inaugural Balls: In 1833,1833, Andrew Jackson’s inaugural balls were held at the Grand Lodge’s Masonic Hall in D.C..

The Apotheosis of Washington (1865) by Constantino Brumidi, located in the U.S. Capitol dome, portrays George Washington rising to divinity, surrounded by Roman gods blended with American figures. The fresco features six main scenes with pagan deities representing national strengths: Minerva (Wisdom), Neptune (Marine), Mercury (Commerce), Vulcan (Mechanics), Ceres (Agriculture), and Mars (War).
Wikipedia
Wikipedia
+3
The six key, Greco-Roman, mythological figures and their symbolic meanings in the fresco include:
Minerva/Athena (Wisdom/Science): Situated with figures like Benjamin Franklin and Robert Fulton, representing science and innovation.
Neptune (Marine): God of the sea, shown with his trident and riding a shell chariot, alongside Venus, who helps lay the transatlantic telegraph cable.
Venus (Marine/Love): Depicted aiding in the laying of the transatlantic telegraph cable.
Mercury (Commerce): The god of commerce is shown handing a bag of gold to Revolutionary War financier Robert Morris.
Vulcan (Mechanics): The god of fire and forge is depicted standing at an anvil with a cannon and steam engine.
Ceres (Agriculture): Seated on a McCormick mechanical reaper, she represents agriculture and bounty.
Mars (War): Represented alongside Armed Freedom, contributing to the theme of defeating tyranny.
Wikipedia
Wikipedia
+4
Other Symbolic Figures
Washington: Centrally located, flanked by Liberty (with a Phrygian cap) and Victory (sounding a trumpet).
Thirteen Maidens: Representing the original colonies, they surround the central figures.
Colonial Victories: The scene portrays the victory over tyranny and kingly power.
Architect of the Capitol (.gov)
Architect of the Capitol (.gov)

The Apotheosis of Washington (1865) by Constantino Brumidi, located in the U.S. Capitol dome, portrays George Washington rising to divinity, surrounded by Roman gods blended with American figures. The fresco features six main scenes with pagan deities representing national strengths: Minerva (Wisdom), Neptune (Marine), Mercury (Commerce), Vulcan (Mechanics), Ceres (Agriculture), and Mars (War).

Wikipedia +3

The six key, Greco-Roman, mythological figures and their symbolic meanings in the fresco include:

Minerva/Athena (Wisdom/Science): Situated with figures like Benjamin Franklin and Robert Fulton, representing science and innovation.
Neptune (Marine): God of the sea, shown with his trident and riding a shell chariot, alongside Venus, who helps lay the transatlantic telegraph cable.
Venus (Marine/Love): Depicted aiding in the laying of the transatlantic telegraph cable.
Mercury (Commerce): The god of commerce is shown handing a bag of gold to Revolutionary War financier Robert Morris.
Vulcan (Mechanics): The god of fire and forge is depicted standing at an anvil with a cannon and steam engine.
Ceres (Agriculture): Seated on a McCormick mechanical reaper, she represents agriculture and bounty.
Mars (War): Represented alongside Armed Freedom, contributing to the theme of defeating tyranny.
Wikipedia +4

Other Symbolic Figures

Washington: Centrally located, flanked by Liberty (with a Phrygian cap) and Victory (sounding a trumpet).
Thirteen Maidens: Representing the original colonies, they surround the central figures.
Colonial Victories: The scene portrays the victory over tyranny and kingly power.
Architect of the Capitol (.gov) +3

Michelle · « **Reply #4 on:** March 07, 2026, 08:44:02 PM »

The Apotheosis of Washington (1865) by Constantino Brumidi, located in the U.S. Capitol dome, portrays George Washington rising to divinity, surrounded by Roman gods blended with American figures. The fresco features six main scenes with pagan deities representing national strengths: Minerva (Wisdom), Neptune (Marine), Mercury (Commerce), Vulcan (Mechanics), Ceres (Agriculture), and Mars (War).
Wikipedia
Wikipedia
+3
The six key, Greco-Roman, mythological figures and their symbolic meanings in the fresco include:
Minerva/Athena (Wisdom/Science): Situated with figures like Benjamin Franklin and Robert Fulton, representing science and innovation.
Neptune (Marine): God of the sea, shown with his trident and riding a shell chariot, alongside Venus, who helps lay the transatlantic telegraph cable.
Venus (Marine/Love): Depicted aiding in the laying of the transatlantic telegraph cable.
Mercury (Commerce): The god of commerce is shown handing a bag of gold to Revolutionary War financier Robert Morris.
Vulcan (Mechanics): The god of fire and forge is depicted standing at an anvil with a cannon and steam engine.
Ceres (Agriculture): Seated on a McCormick mechanical reaper, she represents agriculture and bounty.
Mars (War): Represented alongside Armed Freedom, contributing to the theme of defeating tyranny.
Wikipedia
Wikipedia
+4
Other Symbolic Figures
Washington: Centrally located, flanked by Liberty (with a Phrygian cap) and Victory (sounding a trumpet).
Thirteen Maidens: Representing the original colonies, they surround the central figures.
Colonial Victories: The scene portrays the victory over tyranny and kingly power.
Architect of the Capitol (.gov)
Architect of the Capitol (.gov)
+3

CathInfo.com

Author Topic: anti christ temporal power USA (Read 221 times)

Michelle

anti christ temporal power USA

Simeon

Re: anti christ temporal power USA

Michelle

Re: anti christ temporal power USA

Michelle

Re: anti christ temporal power USA

Michelle

Re: anti christ temporal power USA