Author Topic: Dodgers-Sisters of Perpetual Indulgence Controversy (Read 467 times)

Always · « **on:** June 06, 2023, 09:54:00 PM »

https://www.unz.com/ejones/the-hidden-grammar-of-the-dodgers-sisters-of-perpetual-indulgence-controversy/

The Hidden Grammar of the Dodgers-Sisters of Perpetual Indulgence Controversy
E. MICHAEL JONES • JUNE 6, 2023
• 2,900 WORDS • 12 COMMENTS • REPLY

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After mentioning on my weekly podcast the story of the Los Angeles Dodgers inviting the Sisters of Perpetual Indulgence to perform disgusting, blasphemous rituals at one of their base ball games, I received the following e-mail:

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Dr. Jones, here is a treatise I wrote for the California Coastal Commission about my hometown of Carlsbad, CA and how it is controlled by the Jєωιѕн Mafia (“La Costa Nostra”). Both my father and I have had direct contact with the Chicago Outfit (Moe Dalitz and Ron Klain). I was given the courage to write this by reading your books. I am the proud owner of most of your books. I watched your EMJ Live #26 on the Sisters and the Dodgers and there is a paragraph on the Dodgers and the Jєωιѕн Mob. The Irish Catholic owner from Boston [Frank McCourt] was forced to sell the Dodgers to the Guggenheim Partners because his Jєωιѕн Mafia wife took him to the cleaners in her divorce settlement. After her settlement the Irish guy sold the team for over $1 billion and she tried to re-litigate her settlement to get the Guggenheim’s money back. This is an old Sidney Korshak trick.

According to Wikipedia, Guggenheim Partners is a “family vehicle” which manages over $300 billion in assets. The origins of that fortune stretch back to 1847 when Meyer Guggenheim arrived in America and got involved in mining and metal refining. Later the Guggenheim family got involved in banking, and compound interest insured that their wealth would grow exponentially to the massive fortune they possess today.[1]
No matter what it looks like at first glance, the Dodgers-Sisters story is a Catholic-Jєωιѕн battle best explicated by the sociological theory known as the Triple Melting Pot, which specifies that after three generations all immigrant groups assimilate according to religious belief, in particular by becoming Protestants, Catholics, or Jєωs. Like Yugoslavia, which had a similar tripartite division between Croats, Serbs, and Muslims, America has been a battlefield for warring ethnic factions from the beginning of the 20^th century.
The Dodgers-Sisters story is a repeat of the Legion of Decency Battle over Hollywood films in the 1930s. That Catholic-Jєωιѕн battle got fought at a time when the Catholics were strong. The Jєωs were weak at that moment in American history because they had to go heavily in debt to finance the studios’ transition to talking pictures. When the Italian Catholic who was head of Bank of America withdrew its line of credit, the Jєωs ran up the white flag and implemented the Hollywood Production Code, which banned among other things nudity, obscenity, and ridicule of the clergy, which by extension meant banning blasphemy of the sort the Sisters have engaged in on a routine basis for over 40 years now. I first saw this group up close during Pope John Paul II’s visit to San Francisco on September 18, 1987. Their disgusting blasphemous parody of the sacred mysteries of the Catholic faith has only grown more overt and more vicious, and the more offensive they become, they more they become cultural icons in a society controlled by people who consider abortion, sodomy, and blasphemy fundamental Jєωιѕн values.
Faced with the Dodgers’ endorsement of ɧoɱosɛҳųαƖ blasphemy, Bishop Robert Barron called on Catholics to boycott Dodgers’ baseball games.[2] The main difference between now and then is that Catholics have lost their unity largely by pretending that Jєωs are their elder brothers in the faith, This exercise in wishful thinking entails ignoring the Jєωs’ continued involvement in cultural and moral subversion. I am routinely denounced as an αnтι-ѕємιтє for drawing attention to these realities by fellow Catholics, who studiously ignore things like the #Jєωιѕнandproud video produced by the World Jєωιѕн Congress which proudly announced that Jєωs were behind every culturally subversive movement in 20^th century America. The Jєωs call their right to destroy your culture Tikkun Olam.[3]
During the Legion of Decency battle of the 1930s, Catholics had a better understanding of what was going on. In a letter to then editor of America Magazine, Wilfrid Parsons, S.J., Joe Breen referred to Hollywood moguls like the Warner Brothers as Jєωs of Eastern European origin who were obsessed with sex and making money. Breen referred to them as “the scuм of the earth” and claimed that people like this should not enjoy a monopoly in determining what Americans saw when they went to the movies.[4] Breen went on to say that Hollywood was run by “a rotten bunch of vile people with no respect for anything beyond the making of money. Here we have Paganism rampant and in its most virulent form. Drunkenness and debauchery are commonplace. sɛҳuąƖ perversion is rampant…any number of our directors and stars are perverts. Ninety-five percent of these folks are Jєωs of an Eastern European lineage.”[5] For telling the truth about the habits of those who were in charge of Hollywood, Breen was denounced as “notoriously anti-Semitic.”[6]
The Legion of Decency was created to orchestrate a boycott any time the Jєωs in charge of Hollywood studios violated the Production Code. Cardinal Dougherty of Philadelphia organized a boycott of Warner Brothers theaters that was so successful that it had Harry Warner crying “tears as big as horse turds,”[7] to use Joe Breen’s colorful phrase, because he was losing $100,000 a week in Philadelphia alone. That boycott would not have been successful if Joe Breen had been saddled with the idea that the Jєωs were his elder brothers in the faith, as many bishops including Bishop Barron, have indicated since then. Nostra Aetate was the main weapon the Jєωs used to destroy the Legion of Decency.
Time Magazine[/i] article on American Catholics, which appeared one month after John F. Kennedy was elected president, Rev. John Courtney Murray, S.J. specifically mentioned “boycotts” as something Catholics would have to give up if they wanted to be accepted as Americans in good standing. Like American Blacks, American Catholics lost their cultural identity and their political power the moment they accepted integration into American society on that society’s terms rather than their own.
For over half a century now, Notre Dame university has played a crucial role in robbing Catholics of their cultural identity and their political power in exchange Notre Dame became fit for polite company and received federal money. We all knew that. The story of the Land o Lakes alienation of Church property and the payback Notre Dame got for undermining the Catholic position on contraception is now part of the American Catholic narrative, thanks in no small part to articles I wrote in Culture Wars magazine and chapters in books like John Cardinal Krol and the Cultural Revolution and Libido Dominandi: sɛҳuąƖ Liberation and Political Control.
Few people, however, understand Notre Dame’s role in rehabilitating and promoting the Sisters of Perpetual Indulgence and their public blasphemy. The initial reaction against the first announcement that the Sisters would perform at Dodgers’ games was so intense, the Dodgers’ management rescinded the invitation. Then mysteriously the Dodgers backtracked, rescinded their rescinded invitation and issued a public apology to the ɧoɱosɛҳųαƖ “community” in Los Angeles. The main person responsible for the apology and re-instating the Sisters so that they could perform at Dodgers games was a Notre Dame alumna and Los Angeles County Supervisor by the name of Lindsey P. Horvath, who:[/size][/color]
[url=https://www.unz.com/ejones/the-hidden-grammar-of-the-dodgers-sisters-of-perpetual-indulgence-controversy/][/url]

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announced on Twitter Monday afternoon after the Dodgers apology, and its accompanying public acceptance by the Sisters of Perpetual Indulgence, that she had been pleased to have assisted in facilitating a meeting between the team, the Sisters and stakeholders in the LGBTQ community’s leadership both non-profit and political to come to an understanding.[iurl=https://www.unz.com/ejones/the-hidden-grammar-of-the-dodgers-sisters-of-perpetual-indulgence-controversy/#footnote_8][8][/iurl][/size][/color]

Twenty years ago, Lindsey Horvath was the student responsible for organizing the second performance of The Vagina Monologues at Notre Dame. Back then I wrote:

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The most recent performance of The Vagina Monologues indicates that the university is willing to maintain that commitment. If the dominant culture mandates moral corruption, Notre Dame will implement that mandate among its Catholic students. To do anything different would jeopardize the concordat which Father Hesburgh has hammered out with the regime over the past 40 years, a concordat which his successor, Rev. Edward A. Malloy, seems grimly determined to continue. The performance of this play, in other words, does not signal a new departure from traditional policies. The performance of The Vagina Monologues on campus is only the logical outcome of the path which Notre Dame embarked upon 40 years ago.[9]

In response to massive protests from outraged Catholic parents, Father Edward Malloy, then president of the university, responded by claiming that having students chant the word “cunt” and fake orgasms on-stage was consistent with “our Catholic heritage.” His view was deeply dualistic. Notre Dame, he wrote:

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must find effective ways of fully and continuously promoting our Catholic heritage while at the same time adhering to the principals [sic] of inquiry which undergird academic life, including academic freedom. Without a continual commitment to our Catholic tradition, we will not be Catholic in any meaningful way. Without adherence to academic canons, we will not be a true university recognized as such in any meaningful way.[10]

Instead of simply, prohibiting a production which is an assault, not on the Catholic faith but on common decency, a production that would be prohibited at open mike nights at Irish pubs, Malloy, “in keeping with our mission,” allowed Notre Dame coeds to talk about how their cunts smell, and ostensibly redeems that exercise in obscenity “by allowing a panel discussion and forum [which] followed each production to allow students and faculty to examine the experiences of those students who attended. Such interactions allow students to engage the controversial topics of the day in the context of our distinct, intellectual, religious and moral traditions. While there are elements of this production which are offensive because they contravene positions of the Catholic Church, a responsible academic setting is precisely the place where controversial topics should be examined and discussed.”[11]
As I said at the time, allowing a performance of The Vagina Monologues was like “saying that it’s okay to toss the psychic and moral equivalent of a hand grenade into a crowded classroom as long as there is a panel discussion afterward.”[12]
Following Father Malloy’s prescription, a discussion was announced after the performance ended and the students headed toward the exits. The lady who did her best to lead that discussion was Lindsey Horvath. As I wrote then:

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After the performance, she announced again that there would be time for discussion and questions. When the hall was emptying out, she asked, “Doesn’t anybody have any questions?” The answer is no. There is nothing to discuss. The students were about as capable of discussing their participation in The Vagina Monologues as a rat in a maze would be capable of discussing why it got a food pellet rather than an electric shock. The Vagina Monologues is not something that students study; it is something that is done to students to produce behavioral and psychic effects. Its main purpose is to break down their modesty and corrupt their morals. The students were being acted upon (even if by other students) in a way that was calculated to modify their behavior, not clarify their thought. If anything, the play was an attempt to short-circuit the thinking process. It was a deliberate attempt to subvert reason by shock and arousal of passion.[13]

During the discussion which took place two days after the performance, Lindsey Horvath announced that she was prolife and that she made sure that none of the money which got raised went to Planned Parenthood or to promote abortion. After the discussion was over, Lindsey came over to me and made even more startling personal revelations. Not only was she prolife, she was also heterosɛҳuąƖ and—I am not exaggerating here—against contraception![14]
This prompted me to write:

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Lindsey Horvath is a tribute to the primacy of ethnos and family over “education,” which has become a euphemism for social engineering. Catholics still have this residual “ethnic” appreciation of certain sɛҳuąƖ truths in spite of all the efforts to engineer it out of them. The discussion of The Vagina Monologues showed that, in spite of all of Notre Dame’s efforts to the contrary, some residual lump of unmeltable prolife Catholic ethnicity still remains in the hearts of that university’s beleaguered and abused students. Lindsey can put on her sexy red dress and walk up to the mike and talk dirty in Washington Hall, but she’s still Catholic in some unmeltably ethnic sense of the word after all. That’s the good news. The bad news is that she doesn’t know her left hand from her right. The bad news is that she, like the rest of her peers at Notre Dame, is still a sheep without a shepherd, and it looks as if she will remain that way for the foreseeable future.[15]

On June 3, 2023, The Sycamore Trust held its 17^th annual meeting on the campus of Notre Dame University. The Sycamore Trust, which has been trying to restore Notre Dame’s Catholic identity, came into being because of the performance of The Vagina Monologues I just described. Rev. William Miscamble, C.S.C., took note of that fact in a keynote address which began with a recitation of the parable of the man who built two barns after a great harvest but died before he could enjoy the fruits of his labor. Father Miscamble said that the parable applied not only to individuals but to institutions like Notre Dame. Rev. Miscamble also mentioned the Dodgers-Sisters scandal in his talk. When I mentioned to him after the talk that there was a Notre Dame angle to the Dodgers-Sisters scandal and that Lindsey Horvath was responsible for the Dodgers apology and the Sisters’ reinstatement, Father Miscamble looked shocked, sat down, and wrote her name down in one of his books. I then cut to the chase.
“The purpose of Notre Dame is to confer Catholic respectability on any abomination promoted by the American empire.”
“Are you saying I’m responsible?” Father Miscamble said.
“No, I’m saying Notre Dame is responsible.”
At that point the conversation was interrupted, preventing some meeting of the minds on the fact that controlled opposition has done nothing to ameliorate the situation at Notre Dame, which goes from bad to worse in a depressingly predictable way.
was returning to the city in the early morning, he felt hungry. Seeing a fig tree by the road, he went up to in and found nothing on it but leaves. And he said to it, “May you never bear fruit again,” and at that instant the fig tree withered. The disciples were amazed when they saw it (Matt 21:19-20).
Rev. Miscamble mentioned the many new buildings going up on campus while at the same time reminding his listeners that what goes on inside the buildings is more important than the building itself. Notre Dame’s physical plant corresponds to the leaves on the fig tree. Notre Dame is all leaves and no fruit. It’s time for the bishop to tell Notre Dame “may you never bear fruit again” because the fruit you bear is completely toxic and has been ruining the lives of students like Lindsey Horvath for decades now. Worse, the fruit which Lindsey Horvath bears because of her Notre Dame education contributes to the deliberate and malicious ridicule of Christ and His Church on a magnitude unimaginable to the followers of Jesus who watched in amazement as Jesus cursed the fig tree. It’s time to pull the plug on Notre Dame and expel the Congregation the Holy Cross before they do any more cultural and spiritual damage.
Lindsey Horvath was probably lying to me when she told me she was prolife and anticontraception, but then again maybe she was sincere and has changed since then. As the Hollywood mogul Sam Goldwyn once said, “The secret of success is sincerity. Once you can fake that you’ve got it made.”
Faking sincerity is the lesson Lindsey learned at Notre Dame. Now it’s time for the Catholic Church to learn the lesson Jesus taught when he cursed the fig tree.
Notes
[iurl=https://www.unz.com/ejones/the-hidden-grammar-of-the-dodgers-sisters-of-perpetual-indulgence-controversy/#footnoteref_1][1] https://en.wikipedia.org/wiki/Guggenheim_family
[2] https://twitter.com/BishopBarron/status/1661766243974610949
[3] https://twitter.com/WorldJєωιѕнCong/status/1659232535606358016
[4] https://alchetron.com/Joseph-Breen
[5] https://alchetron.com/Joseph-Breen
[6] https://alchetron.com/Joseph-Breen
[7] E. Michael Jones, John Cardinal Krol and the Cultural Revolution (South Bend, IN: Fidelity Press, 1995), pp. 301ff.
[8] https://www.washingtonblade.com/2023/05/23/los-angeles-dodgers-apologize-reverse-decision-on-disinviting-drag-group/
[9] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 14.
[10] Letter from Rev. Edward A. Malloy, CSC to parents 2/02.
[11] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 15.
[12] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 15.
[13] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 15.
[14] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 19.
[15] E. Michael Jones, “The Most Famous Vagina in History,” Culture Wars, April 2003, p. 19.

Soubirous · « **Reply #1 on:** June 07, 2023, 10:50:20 AM »

Quote from: Always on June 06, 2023, 09:54:00 PM

American Catholics lost their cultural identity and their political power the moment they accepted integration into American society on that society’s terms rather than their own.
[...]
Such interactions allow students to engage the controversial topics of the day in the context of our distinct, intellectual, religious and moral traditions. While there are elements of this production which are offensive because they contravene positions of the Catholic Church, a responsible academic setting is precisely the place where controversial topics should be examined and discussed.” [That's] like “saying that it’s okay to toss the psychic and moral equivalent of a hand grenade into a crowded classroom as long as there is a panel discussion afterward.”

The above is the core m.o. toward cultural and moral subversion.

Eve Ensler......Brian Epstein, Betty Friedan, David Geffen, Don Kirshner, Lorne Michaels, Carl Reiner, Steve Rubell & Ian Schrager, Rick Rubin, Phil Spector, Gloria Steinem, Howard Stern, Randi Weingarten, pattern recognition, no doubt.

Yet there's still that mea maxima culpa moment. The tipping point -- from that whole miasma of subversion toward that moment -- is key.

Incredulous · « **Reply #2 on:** June 07, 2023, 01:00:46 PM »

The Youth Action men of Tradition Family & Property are traveling to Los Angeles to provide a Rosary protest against the Dodgers.

Drums & Bagpipes will be included.

Incredulous · « **Reply #3 on:** June 07, 2023, 08:48:12 PM »

Quote from: Incredulous on June 07, 2023, 01:00:46 PM

The Youth Action men of Tradition Family & Property are traveling to Los Angeles to provide a Rosary protest against the Dodgers.

Drums & Bagpipes will be included.

Author Topic: Dodgers-Sisters of Perpetual Indulgence Controversy (Read 467 times)

Always

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