After Disney's death his brother's side of the family pulled off a coup. It is said that Roy O. Disney was the worst of the two brothers, which doesn't mean that Walt was good. His image was good, but it was an image built to get the public's approval of Hollywood. Roy's progeny have become more blatant, as if they no longer give a care about public opinion or figure they will be approved by today's pervs anyway, but they are really just carrying on the Disney tradition. Here is an excerpt from the over view of a book on Disney. See and think for yourself.
G. A HISTORY OF DISNEY
"The story of Disneyís silent film career is not so much a struggle for artistic expression as it is a fight for commercial stability." During the 1920ís, Walt stayed safely within the confines of comic animation as defined by others, such as the producers of Felix the Cat, Koko the Clown, and Krazy Kat. In other words, when many of the ideas were coming from just himself, Disneyís movies were not any better than others. In the 1930ís, Disney got some of the best talent available and he began to settle for only the best results from that talent. With the mob, and the Illuminati behind him, and driven by an indebtedness to them, Disney began to achieve outstanding results in animation. Between 1924 and 1927, Walt Disney made a series of 56 silent Alice Comedies which used three different girls (6-year-old Virginia Davis, Margie gαy and Lois Hardwick) to act as Alice who romps around in a makebelief cartoon world. These cartoons combined live action and animation. By the time the series was done, Walt Disney wanted to try working solely with animation. Margaret Winkler in NY (who married Charles Mintz) distributed Walt Disneyís Alice Comedies. From the beginning, children were the center of everything Walt did. The occult world that backed Walt, as well as Walt himself, believed that if they could bring out "the child" (that part of a person called "the child" by various psychologists), then they could appeal to the curiosity and feelings of the "child" part of adults. If it worked with adults, they could do the same with the child part in children. They knew even in the 20ís & í30ís what had to be accomplished in the secret Great Plan for a nєω ωσrℓ∂ σr∂єr. The Illuminati Great Plan called for family life to be destroyed, for children to rebel against their parents, and for the world to become more violent. Children needed to immerse in images of violence so that a violent society could be created. For instance, the 1925 film Alice Stage Struck shows little girl Alice strapped to a log leading to a buzz saw. They also wanted to make occultism--witchcraft the common belief of the American people. The Illuminati felt they could bring in witchcraft if they appealed to the curiosity of the child in every adult. For instance, the Donald Duck cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get back at him by stealing a box of popcorn and spreading it all over the front yard. Now what does a cartoon like this teach kids? It teaches that stealing to repay a grudge is O.K. and that doing pranks is funny. In Disneyís 1920 films, he shows kids cutting school, shoplifting and playing hookey. He shows Alice running away from responsibility to have adventure. He shows prisoners escaping and hobos escaping work. His films are expression of misbehavior being successful. What does this teach children? In the 1951 cartoon, Get Rich Quick Goofy wins money at poker and his initially angry wife who doesnít like gambling forgives him when she sees how much heís won. Goofy indicates that they can have a spending spree by telling his wife, "Easy come, easy go!" The gambling spirit is a very powerful spirit that the Illuminati want to instill in this nation. How can a cartoon that promotes gambling be wholesome for children?
Topic: Disney REALLY IS evil (Read 2991 times)