These operas would be part of the 30%, approved by Rome so long ago.
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Author:
[]=Lamothe, Virginia
University of North Carolina
University URL:
[url=https://www.proquest.com/docview/304963208]https://www.proquest.com/docview/304963208Thesis type:Doctoral DissertationPlace published:Chapel Hill, NCLanguage:
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https://jesuitonlinebibliography.bc.edu/Abstract:
In a time of religious war, plague, and reformation, Pope Urban VIII and his cardinal-nephews Antonio and Francesco Barberini sought to establish the authority of the Catholic Church by inspiring audiences of Rome with visions of the heroic deeds of saints. One way in which they did this was by commissioning operas based on the lives of saints from the poet Giulio Rospigliosi later Pope Clement IX, and papal musicians Stefano Landi and Virgilio Mazzocchi. Aside from the merit of providing an in-depth look at four of these little-known works, Sant'Alessio 1632, 1634, Santi Didimo e Teodora 1635, San Bonifatio 1638, and Sant'Eustachio 1643, this dissertation also discusses how these operas reveal changing ideas of faith, civic pride, death and salvation, education, and the role of women during the first half of the seventeenth century. The analysis of the music and the drama stems from studies of the surviving manuscript scores, libretti, payment records and letters about the first performances. This dissertation also provides a discussion of the religious culture in which these operas took place by examining other contemporary primary sources such as sermons, histories of saints' lives, spiritual exercises, Jesuit school plays, books of manners and social decorum, and accounts of festivals held in Rome during the papacy of Pope Urban VIII. ...
St Augustine : "...the origin of the gods and the theatre are "deadly poison" and "crazy institution" rooted in demoralization and licentiousness and thus a dangerous influence on Roman youth.
[8]: 27 "The statues, effigies and altars of Roman theatres marked ..,the pagan gods, and theatre, with the rest of the pagan culture, substitutes the spiritual joy of knowing God through scripture with earthly obsessions....
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My aunt was a Canadian opera singer in the 1980's and she told us most male singers were perverts .
Topic: California Fleein’ (Read 60084 times)