BEWARE OF SATANIC MUSIC!

Father Gabriele Amorth was the Senior Exorcist of the Catholic Church. In his book, An Exorcist: More Stories (pp. 73-74), he explains how Satan uses music to destroy our souls, especially those of young people.

He puts the spot light on an American group called WICCA. It is an association of witches and those who conform to the occult. WICCA has spread its activities globally and has a considerable following. It owns at least three record companies and is in the business of enhancing the corruption and inner disintegration of the psychology of young people. They practice Satanism and consecrate themselves to the person of Satan. Every one of their records describes with precision the inner condition neccessary for a disciple of Satan and invites everyone to celebrate his glory, honor and praise. Since the group devotes itself to Satan's cult, they additionally propogate their satanic priniciples in their lyrics. These record companies have the sole aim of driving the youth into Satanism, as a cult, through their music.

The designing of records to be consecrated to Satan pursue four basic principles:

1) Beat: Of primary importance is the rhythm, or beat. It is to mimic the sɛҳuąƖ act. Without warning, the listener is caught up in the frenzy aimed at inducing a sort of hysteria. This is to take advantage of the sɛҳuąƖ instinct, aroused through the use of beat.

2) Volume intensity: The volume is deliberately set to at least seven decibels above the tolerance level of our nervous system. Prolonged exposure to such a noise level induces a type of depression, rebelliousness and aggression. When this happend, we tell ourselves, without realizing the implications: "After all, I did nothing wrong. I only listened to music the entire evening." [Many educators and parents who are completely in the dark about the reality of these records are under the same delusion.] On the contrary! We become victims of a well-devised and calculated strategy to bypass the nervous system and acheive a precise goal: to bring the audience into a state of disorder and confusion. At this point, the listener, in a frenzy to actualize the beat, rhythm they have heard all evening, risk being lured into becoming new recruits into the ranks of Satan's apprentices. Then, the songwriters will have realized their ultimate goal.

3) Subliminal signal: The third principle. Subliminal signs are transmitted at such a high pitch that we are unable to hear them. The signal is meant to disorient; at an intensity of 3,000 kilocyles per second, it acts on our unconscious, but our ears cannot capture it precisely because it is supersonic. Unbeknowest to us, the brain produces a natural drug as a result of the stimuli it receives, and it disorients us. Suddenly, we feel strange. This strange feeling induces us to seek real drugs and causes drug addicts to increase their intake.

4) Ritual consecration of every record during a black mass: This is the fourth element. Before each record is released on the market, it is consecrated to Satan through a ritual that is a true black mass. If you ever take the time to analyze the words of these songs [words that may be hidden and only perceptible by listening to the record backwards], you will realize that the general subject is always the same: rebellion against parents, against society, against all that exists; the unleashing of all sɛҳuąƖ instincts; and the urge to create an anarchist state with the ultimate triumph of Satan's universal kingdom. A few songs are hymns specifically dedicated to Satan.

I dont understand this one:

Quote

The volume is deliberately set to at least seven decibels above the tolerance level of our nervous system. Prolonged exposure to such a noise level induces a type of depression, rebelliousness and aggression.

Is Fr. Amorth talking about being at a rock concert here? Otherwise, I don't see how the volume can be anything other than what we ourselves set it as on our sound systems, Ipods etc.

That's what I thought.

And the trouble I find with classical music is: try to listen to it in the car, you have to turn the volume up for the quiet movements, only to be deafened when it gets louder!