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Author Topic: Leaves of Grass  (Read 761 times)

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Änσnymσus

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Leaves of Grass
« on: May 11, 2013, 11:55:19 AM »
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  • Do you think it would be sinful to read Leaves of Grass by Walt Whitman? I think it would be but I am not sure.


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    Leaves of Grass
    « Reply #1 on: May 11, 2013, 12:58:47 PM »
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  • This was my favorite Walt Whitman poem. It is not dirty, as some of his poems are and I think it is safe to read, though it is pagan.


    When Lilacs Last in the Door-yard Bloom’d


    1

    WHEN lilacs last in the door-yard bloom’d,   
    And the great star early droop’d in the western sky in the night,   
    I mourn’d—and yet shall mourn with ever-returning spring.   
     
    O ever-returning spring! trinity sure to me you bring;   
    Lilac blooming perennial, and drooping star in the west,            5
    And thought of him I love.   
     
    2

    O powerful, western, fallen star!   
    O shades of night! O moody, tearful night!   
    O great star disappear’d! O the black murk that hides the star!   
    O cruel hands that hold me powerless! O helpless soul of me!     10
    O harsh surrounding cloud, that will not free my soul!   
     
    3

    In the door-yard fronting an old farm-house, near the white-wash’d palings,   
    Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,   
    With many a pointed blossom, rising, delicate, with the perfume strong I love,   
    With every leaf a miracle......and from this bush in the door-yard,     15
    With delicate-color’d blossoms, and heart-shaped leaves of rich green,   
    A sprig, with its flower, I break.   
     
    4

    In the swamp, in secluded recesses,   
    A shy and hidden bird is warbling a song.   
     
    Solitary, the thrush,     20
    The hermit, withdrawn to himself, avoiding the settlements,   
    Sings by himself a song.   
     
    Song of the bleeding throat!   
    Death’s outlet song of life—(for well, dear brother, I know   
    If thou wast not gifted to sing, thou would’st surely die.)     25
     
    5

    Over the breast of the spring, the land, amid cities,   
    Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)   
    Amid the grass in the fields each side of the lanes—passing the endless grass;   
    Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;   
    Passing the apple-tree blows of white and pink in the orchards;     30
    Carrying a corpse to where it shall rest in the grave,   
    Night and day journeys a coffin.   
     
    6

    Coffin that passes through lanes and streets,   
    Through day and night, with the great cloud darkening the land,   
    With the pomp of the inloop’d flags, with the cities draped in black,     35
    With the show of the States themselves, as of crape-veil’d women, standing,   
    With processions long and winding, and the flambeaus of the night,   
    With the countless torches lit—with the silent sea of faces, and the unbared heads,   
    With the waiting depot, the arriving coffin, and the sombre faces,   
    With dirges through the night, with the thousand voices rising strong and solemn;     40
    With all the mournful voices of the dirges, pour’d around the coffin,   
    The dim-lit churches and the shuddering organs—Where amid these you journey,   
    With the tolling, tolling bells’ perpetual clang;   
    Here! coffin that slowly passes,   
    I give you my sprig of lilac.     45
     
    7

    (Nor for you, for one, alone;   
    Blossoms and branches green to coffins all I bring:   
    For fresh as the morning—thus would I carol a song for you, O sane and sacred death.   
     
    All over bouquets of roses,   
    O death! I cover you over with roses and early lilies;     50
    But mostly and now the lilac that blooms the first,   
    Copious, I break, I break the sprigs from the bushes;   
    With loaded arms I come, pouring for you,   
    For you, and the coffins all of you, O death.)   
     
    8

    O western orb, sailing the heaven!     55
    Now I know what you must have meant, as a month since we walk’d,   
    As we walk’d up and down in the dark blue so mystic,   
    As we walk’d in silence the transparent shadowy night,   
    As I saw you had something to tell, as you bent to me night after night,   
    As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)     60
    As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)   
    As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;   
    As I stood on the rising ground in the breeze, in the cold transparent night,   
    As I watch’d where you pass’d and was lost in the netherward black of the night,   
    As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,     65
    Concluded, dropt in the night, and was gone.   
     
    9

    Sing on, there in the swamp!   
    O singer bashful and tender! I hear your notes—I hear your call;   
    I hear—I come presently—I understand you;   
    But a moment I linger—for the lustrous star has detain’d me;     70
    The star, my departing comrade, holds and detains me.   
     
    10

    O how shall I warble myself for the dead one there I loved?   
    And how shall I deck my song for the large sweet soul that has gone?   
    And what shall my perfume be, for the grave of him I love?   
     
    Sea-winds, blown from east and west,     75
    Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:   
    These, and with these, and the breath of my chant,   
    I perfume the grave of him I love.   
     
    11

    O what shall I hang on the chamber walls?   
    And what shall the pictures be that I hang on the walls,     80
    To adorn the burial-house of him I love?   
     
    Pictures of growing spring, and farms, and homes,   
    With the Fourth-month eve at sundown, and the gray smoke lucid and bright,   
    With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;   
    With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;     85
    In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;   
    With ranging hills on the banks, with many a line against the sky, and shadows;   
    And the city at hand, with dwellings so dense, and stacks of chimneys,   
    And all the scenes of life, and the workshops, and the workmen homeward returning.   
     
    12

    Lo! body and soul! this land!     90
    Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;   
    The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,   
    And ever the far-spreading prairies, cover’d with grass and corn.   
     
    Lo! the most excellent sun, so calm and haughty;   
    The violet and purple morn, with just-felt breezes;     95
    The gentle, soft-born, measureless light;   
    The miracle, spreading, bathing all—the fulfill’d noon;   
    The coming eve, delicious—the welcome night, and the stars,   
    Over my cities shining all, enveloping man and land.   
     
    13

    Sing on! sing on, you gray-brown bird!    100
    Sing from the swamps, the recesses—pour your chant from the bushes;   
    Limitless out of the dusk, out of the cedars and pines.   
     
    Sing on, dearest brother—warble your reedy song;   
    Loud human song, with voice of uttermost woe.   
     
    O liquid, and free, and tender!    105
    O wild and loose to my soul! O wondrous singer!   
    You only I hear......yet the star holds me, (but will soon depart;)   
    Yet the lilac, with mastering odor, holds me.   
     
    14

    Now while I sat in the day, and look’d forth,   
    In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,    110
    In the large unconscious scenery of my land, with its lakes and forests,   
    In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)   
    Under the arching heavens of the afternoon swift passing, and the voices of children and women,   
    The many-moving sea-tides,—and I saw the ships how they sail’d,   
    And the summer approaching with richness, and the fields all busy with labor,    115
    And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;   
    And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,   
    Falling upon them all, and among them all, enveloping me with the rest,   
    Appear’d the cloud, appear’d the long black trail;   
    And I knew Death, its thought, and the sacred knowledge of death.    120
     
    15

    Then with the knowledge of death as walking one side of me,   
    And the thought of death close-walking the other side of me,   
    And I in the middle, as with companions, and as holding the hands of companions,   
    I fled forth to the hiding receiving night, that talks not,   
    Down to the shores of the water, the path by the swamp in the dimness,    125
    To the solemn shadowy cedars, and ghostly pines so still.   
     
    And the singer so shy to the rest receiv’d me;   
    The gray-brown bird I know, receiv’d us comrades three;   
    And he sang what seem’d the carol of death, and a verse for him I love.   
     
    From deep secluded recesses,    130
    From the fragrant cedars, and the ghostly pines so still,   
    Came the carol of the bird.   
     
    And the charm of the carol rapt me,   
    As I held, as if by their hands, my comrades in the night;   
    And the voice of my spirit tallied the song of the bird.    135
     
    DEATH CAROL.

    16

    Come, lovely and soothing Death,   
    Undulate round the world, serenely arriving, arriving,   
    In the day, in the night, to all, to each,   
    Sooner or later, delicate Death.   
     
    Prais’d be the fathomless universe,    140
    For life and joy, and for objects and knowledge curious;   
    And for love, sweet love—But praise! praise! praise!   
    For the sure-enwinding arms of cool-enfolding Death.   
     
    Dark Mother, always gliding near, with soft feet,   
    Have none chanted for thee a chant of fullest welcome?    145
     
    Then I chant it for thee—I glorify thee above all;   
    I bring thee a song that when thou must indeed come, come unfalteringly.   
     
    Approach, strong Deliveress!   
    When it is so—when thou hast taken them, I joyously sing the dead,   
    Lost in the loving, floating ocean of thee,    150
    Laved in the flood of thy bliss, O Death.   
     
    From me to thee glad serenades,   
    Dances for thee I propose, saluting thee—adornments and feastings for thee;   
    And the sights of the open landscape, and the high-spread sky, are fitting,   
    And life and the fields, and the huge and thoughtful night.    155
     
    The night, in silence, under many a star;   
    The ocean shore, and the husky whispering wave, whose voice I know;   
    And the soul turning to thee, O vast and well-veil’d Death,   
    And the body gratefully nestling close to thee.   
     
    Over the tree-tops I float thee a song!    160
    Over the rising and sinking waves—over the myriad fields, and the prairies wide;   
    Over the dense-pack’d cities all, and the teeming wharves and ways,   
    I float this carol with joy, with joy to thee, O Death!   

     
    17

    To the tally of my soul,   
    Loud and strong kept up the gray-brown bird,    165
    With pure, deliberate notes, spreading, filling the night.   
     
    Loud in the pines and cedars dim,   
    Clear in the freshness moist, and the swamp-perfume;   
    And I with my comrades there in the night.   
     
    While my sight that was bound in my eyes unclosed,    170
    As to long panoramas of visions.   
     
    18

    I saw askant the armies;   
    And I saw, as in noiseless dreams, hundreds of battle-flags;   
    Borne through the smoke of the battles, and pierc’d with missiles, I saw them,   
    And carried hither and yon through the smoke, and torn and bloody;    175
    And at last but a few shreds left on the staffs, (and all in silence,)   
    And the staffs all splinter’d and broken.   
     
    I saw battle-corpses, myriads of them,   
    And the white skeletons of young men—I saw them;   
    I saw the debris and debris of all the dead soldiers of the war;    180
    But I saw they were not as was thought;   
    They themselves were fully at rest—they suffer’d not;   
    The living remain’d and suffer’d—the mother suffer’d,   
    And the wife and the child, and the musing comrade suffer’d,   
    And the armies that remain’d suffer’d.    185
     
    19

    Passing the visions, passing the night;   
    Passing, unloosing the hold of my comrades’ hands;   
    Passing the song of the hermit bird, and the tallying song of my soul,   
    (Victorious song, death’s outlet song, yet varying, ever-altering song,   
    As low and wailing, yet clear the notes, rising and falling, flooding the night,    190
    Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,   
    Covering the earth, and filling the spread of the heaven,   
    As that powerful psalm in the night I heard from recesses,)   
    Passing, I leave thee, lilac with heart-shaped leaves;   
    I leave thee there in the door-yard, blooming, returning with spring,    195
    I cease from my song for thee;   
    From my gaze on thee in the west, fronting the west, communing with thee,   
    O comrade lustrous, with silver face in the night.   
     
    20

    Yet each I keep, and all, retrievements out of the night;   
    The song, the wondrous chant of the gray-brown bird,    200
    And the tallying chant, the echo arous’d in my soul,   
    With the lustrous and drooping star, with the countenance full of woe,   
    With the lilac tall, and its blossoms of mastering odor;   
    With the holders holding my hand, nearing the call of the bird,   
    Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;    205
    For the sweetest, wisest soul of all my days and lands...and this for his dear sake;   
    Lilac and star and bird, twined with the chant of my soul,   
    There in the fragrant pines, and the cedars dusk and dim.


    Änσnymσus

    • Guest
    Leaves of Grass
    « Reply #2 on: May 11, 2013, 04:08:31 PM »
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  • Here is another one, also not dirty and safe to read, and also pagan.


    Out of the Cradle Endlessly Rocking


    1

    OUT of the cradle endlessly rocking,   
    Out of the mocking-bird’s throat, the musical shuttle,   
    Out of the Ninth-month midnight,   
    Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot,   
    Down from the shower’d halo,            5
    Up from the mystic play of shadows, twining and twisting as if they were alive,   
    Out from the patches of briers and blackberries,   
    From the memories of the bird that chanted to me,   
    From your memories, sad brother—from the fitful risings and fallings I heard,   
    From under that yellow half-moon, late-risen, and swollen as if with tears,     10
    From those beginning notes of sickness and love, there in the transparent mist,   
    From the thousand responses of my heart, never to cease,   
    From the myriad thence-arous’d words,   
    From the word stronger and more delicious than any,   
    From such, as now they start, the scene revisiting,     15
    As a flock, twittering, rising, or overhead passing,   
    Borne hither—ere all eludes me, hurriedly,   
    A man—yet by these tears a little boy again,   
    Throwing myself on the sand, confronting the waves,   
    I, chanter of pains and joys, uniter of here and hereafter,     20
    Taking all hints to use them—but swiftly leaping beyond them,   
    A reminiscence sing.   
     
    2

    Once, Paumanok,   
    When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing,   
    Up this sea-shore, in some briers,     25
    Two guests from Alabama—two together,   
    And their nest, and four light-green eggs, spotted with brown,   
    And every day the he-bird, to and fro, near at hand,   
    And every day the she-bird, crouch’d on her nest, silent, with bright eyes,   
    And every day I, a curious boy, never too close, never disturbing them,     30
    Cautiously peering, absorbing, translating.   
     
    3

    Shine! shine! shine!   
    Pour down your warmth, great Sun!   
    While we bask—we two together.   
     
    Two together!     35
    Winds blow South, or winds blow North,   
    Day come white, or night come black,   
    Home, or rivers and mountains from home,   
    Singing all time, minding no time,   
    While we two keep together.   
     40
     
    4

    Till of a sudden,   
    May-be kill’d, unknown to her mate,   
    One forenoon the she-bird crouch’d not on the nest,   
    Nor return’d that afternoon, nor the next,   
    Nor ever appear’d again.     45
     
    And thenceforward, all summer, in the sound of the sea,   
    And at night, under the full of the moon, in calmer weather,   
    Over the hoarse surging of the sea,   
    Or flitting from brier to brier by day,   
    I saw, I heard at intervals, the remaining one, the he-bird,     50
    The solitary guest from Alabama.   
     
    5

    Blow! blow! blow!   
    Blow up, sea-winds, along Paumanok’s shore!   
    I wait and I wait, till you blow my mate to me.   

     
    6

    Yes, when the stars glisten’d,     55
    All night long, on the prong of a moss-scallop’d stake,   
    Down, almost amid the slapping waves,   
    Sat the lone singer, wonderful, causing tears.   
     
    He call’d on his mate;   
    He pour’d forth the meanings which I, of all men, know.     60
     
    Yes, my brother, I know;   
    The rest might not—but I have treasur’d every note;   
    For once, and more than once, dimly, down to the beach gliding,   
    Silent, avoiding the moonbeams, blending myself with the shadows,   
    Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,     65
    The white arms out in the breakers tirelessly tossing,   
    I, with bare feet, a child, the wind wafting my hair,   
    Listen’d long and long.   
     
    Listen’d, to keep, to sing—now translating the notes,   
    Following you, my brother.     70
     
    7

    Soothe! soothe! soothe!   
    Close on its wave soothes the wave behind,   
    And again another behind, embracing and lapping, every one close,   
    But my love soothes not me, not me.   
     
    Low hangs the moon—it rose late;     75
    O it is lagging—O I think it is heavy with love, with love.   
     
    O madly the sea pushes, pushes upon the land,   
    With love—with love.   
     
    O night! do I not see my love fluttering out there among the breakers?   
    What is that little black thing I see there in the white?     80
     
    Loud! loud! loud!   
    Loud I call to you, my love!   
     
    High and clear I shoot my voice over the waves;   
    Surely you must know who is here, is here;   
    You must know who I am, my love.     85
     
    Low-hanging moon!   
    What is that dusky spot in your brown yellow?   
    O it is the shape, the shape of my mate!   
    O moon, do not keep her from me any longer.   
     
    Land! land! O land!     90
    Whichever way I turn, O I think you could give me my mate back again, if you only would;   
    For I am almost sure I see her dimly whichever way I look.   
     
    O rising stars!   
    Perhaps the one I want so much will rise, will rise with some of you.   
     
    O throat! O trembling throat!     95
    Sound clearer through the atmosphere!   
    Pierce the woods, the earth;   
    Somewhere listening to catch you, must be the one I want.   
     
    Shake out, carols!   
    Solitary here—the night’s carols!    100
    Carols of lonesome love! Death’s carols!   
    Carols under that lagging, yellow, waning moon!   
    O, under that moon, where she droops almost down into the sea!   
    O reckless, despairing carols.   
     
    But soft! sink low;    105
    Soft! let me just murmur;   
    And do you wait a moment, you husky-noised sea;   
    For somewhere I believe I heard my mate responding to me,   
    So faint—I must be still, be still to listen;   
    But not altogether still, for then she might not come immediately to me.    110
     
    Hither, my love!   
    Here I am! Here!   
    With this just-sustain’d note I announce myself to you;   
    This gentle call is for you, my love, for you.   
     
    Do not be decoy’d elsewhere!    115
    That is the whistle of the wind—it is not my voice;   
    That is the fluttering, the fluttering of the spray;   
    Those are the shadows of leaves.   
     
    O darkness! O in vain!   
    O I am very sick and sorrowful.    120
     
    O brown halo in the sky, near the moon, drooping upon the sea!   
    O troubled reflection in the sea!   
    O throat! O throbbing heart!   
    O all—and I singing uselessly, uselessly all the night.   
     
    Yet I murmur, murmur on!    125
    O murmurs—you yourselves make me continue to sing, I know not why.   
     
    O past! O life! O songs of joy!   
    In the air—in the woods—over fields;   
    Loved! loved! loved! loved! loved!   
    But my love no more, no more with me!    130
    We two together no more.   
     

    8

    The aria sinking;   
    All else continuing—the stars shining,   
    The winds blowing—the notes of the bird continuous echoing,   
    With angry moans the fierce old mother incessantly moaning,    135
    On the sands of Paumanok’s shore, gray and rustling;   
    The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching;   
    The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,   
    The love in the heart long pent, now loose, now at last tumultuously bursting,   
    The aria’s meaning, the ears, the Soul, swiftly depositing,    140
    The strange tears down the cheeks coursing,   
    The colloquy there—the trio—each uttering,   
    The undertone—the savage old mother, incessantly crying,   
    To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,   
    To the outsetting bard of love.    145
     
    9

    Demon or bird! (said the boy’s soul,)   
    Is it indeed toward your mate you sing? or is it mostly to me?   
    For I, that was a child, my tongue’s use sleeping,   
    Now I have heard you,   
    Now in a moment I know what I am for—I awake,    150
    And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours,   
    A thousand warbling echoes have started to life within me,   
    Never to die.   
     
    O you singer, solitary, singing by yourself—projecting me;   
    O solitary me, listening—nevermore shall I cease perpetuating you;    155
    Never more shall I escape, never more the reverberations,   
    Never more the cries of unsatisfied love be absent from me,   
    Never again leave me to be the peaceful child I was before what there, in the night,   
    By the sea, under the yellow and sagging moon,   
    The messenger there arous’d—the fire, the sweet hell within,    160
    The unknown want, the destiny of me.   
     
    O give me the clew! (it lurks in the night here somewhere;)   
    O if I am to have so much, let me have more!   
    O a word! O what is my destination? (I fear it is henceforth chaos;)   
    O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me!    165
    O phantoms! you cover all the land and all the sea!   
    O I cannot see in the dimness whether you smile or frown upon me;   
    O vapor, a look, a word! O well-beloved!   
    O you dear women’s and men’s phantoms!   
     
    A word then, (for I will conquer it,)    170
    The word final, superior to all,   
    Subtle, sent up—what is it?—I listen;   
    Are you whispering it, and have been all the time, you sea-waves?   
    Is that it from your liquid rims and wet sands?   
     
    10

    Whereto answering, the sea,    175
    Delaying not, hurrying not,   
    Whisper’d me through the night, and very plainly before day-break,   
    Lisp’d to me the low and delicious word DEATH;   
    And again Death—ever Death, Death, Death,   
    Hissing melodious, neither like the bird, nor like my arous’d child’s heart,    180
    But edging near, as privately for me, rustling at my feet,   
    Creeping thence steadily up to my ears, and laving me softly all over,   
    Death, Death, Death, Death, Death.   
     
    Which I do not forget,   
    But fuse the song of my dusky demon and brother,    185
    That he sang to me in the moonlight on Paumanok’s gray beach,   
    With the thousand responsive songs, at random,   
    My own songs, awaked from that hour;   
    And with them the key, the word up from the waves,   
    The word of the sweetest song, and all songs,    190
    That strong and delicious word which, creeping to my feet,   
    The sea whisper’d me.   

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    • Guest
    Leaves of Grass
    « Reply #3 on: May 11, 2013, 04:52:34 PM »
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  • I don't hear the poetry.  

    When I read Byron or Shakespeare or Coleridge or Keats the poetry is unmistakable.

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    • Guest
    Leaves of Grass
    « Reply #4 on: May 11, 2013, 05:03:04 PM »
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  • Quote from: Guest
    I don't hear the poetry.  

    When I read Byron or Shakespeare or Coleridge or Keats the poetry is unmistakable.


    Whitman didn't usually write in normal verse like those other poets, though his poems have a rhythm to them. I think critics call his style free-verse. I think it is very American of him to write that way.


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    Leaves of Grass
    « Reply #5 on: May 11, 2013, 05:04:40 PM »
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  • Some of Whitman's poems are disgusting. In some of his poems he writes about masturbation.

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    Leaves of Grass
    « Reply #6 on: May 11, 2013, 05:13:17 PM »
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  • overhyped boring yankee