Number CDXCVII (497)
   
January 21, 2017
Colour, Poetry…

As suburbs are to downtown, culture true
Both flows from true Faith, and upholds it too.

“One cannot live any longer on politics, on balance-sheets, and crossword puzzles. One cannot live any longer without poetry, colour, love” – words of Antoine de St Exupéry (1900–1944), French aristocrat, aviator and writer, not Catholic, but struggling in his soul with 20th century materialism. He said of himself, “I am a man raking through ashes, a man struggling to find the embers of life in the bottom of a fireplace.” And describing in his philosophic memoir Wind, Sand and Stars (1939) a scene of workers and their families huddled all over a night train from Paris to Warsaw, he wrote that he was tormented not by their desolate condition, but by “seeing, a little bit in all these men, of Mozart murdered.”

These quotes come to mind after a visit last year to the Bertramka, a villa lying close outside the centre of Prague in the Czech Republic, and made known in the late 18th century by visits there of the famous composer, Wolfgang Amadeus Mozart. At that time it was reached from the city by a half-hour walk along country roads and a path lined with horse chestnuts to the gate into the front courtyard, opening onto a sloping garden with flower-beds and fruit-trees. Today the shady lane has given way to an enormous shopping and business centre along a city street loaded with heavy traffic, heeding only the traffic-lights. The gate is still there but the sloping garden has run wild, with a lonely statue of the great musician and with the stone table where he is supposed to have finished composing his world-renowned opera Don Giovanni. Soon afterwards he conducted its first performance in the city opera-house, still in use. As for the two rooms occupied in the Bertramka by Mozart, they have been faithfully preserved, but a once handsome collection of Mozartian exhibits was no longer there this October. The Bertramka still has atmosphere, but much there whispers only of “Mozart murdered.”

Yet 18th century Prague had been very kind to him. In 1786, unlike Vienna, it gave a rapturous reception to Mozart’s equally popular and famous opera the Marriage of Figaro, as it gave in the following year to Don Giovanni. And when Mozart died in 1791, his home city,Vienna, gave him merely a poor man’s grave, whereas Prague honoured him with a lavish Requiem Mass attended by thousands, and performed by a hundred musicians refusing any payment. It was Catholic Emperors and nobles who, to restore Catholic Bohemia after the devastating 30 years’ religious war (1618–1648), had established widespread musical education for Bohemian youth to be able to play music in Church services. It was this Catholic education which generated in Prague a public capable immediately of loving Mozart and his music.

Can the same be said for Catholics today, or are we also “murderers of Mozart”? For St Exup éry, Mozart was somehow the very opposite of materialism. But how many Traditionalists today are bored with a sung Mass, and cannot wait to get back to their balance-sheets and crossword-puzzles? Alas, are not many of our boys almost ashamed of knowing how to sing? And as for our girls, Oh my! Would a mass of them not prefer to be astronauts or volleyball stars rather than know how to play a musical instrument which might help them to civilise their husbands, humanise their children and put harmony in their home? A German proverb says that men make the culture but women transmit it. Is it not suicidal for a society not to promote in its girls the true “culture, poetry and love” which will go deep into their future families and through their families into society?

As for Mozart, he is certainly not the height of spirituality in Western music, and later in life he did join Fɾҽҽmαsσɳɾყ, then fashionable in Vienna. But he is far more spiritual than the world of shopping cent res and traffic lights, as St Exupéry well saw, and it was certainly not Masons but deeply Catholic parents who formed in the child and youth the Catholic heart from which sprang all the spirituality of the music of the adult. Surely the most often performed piece of all Mozart’s music, composed shortly before he died, is his Ave Verum Corpus, because it is so frequently performed at Mass. And his deeply Catholic Requiem he was still composing on his deathbed. May his soul rest in peace.

Kyrie eleison.

 
Perhaps a better cultural role model would be a Catholic composer of Violin Concertos that were inspired by the Holy Ghost?    :wink:

Indeed it is not what pleases our human ears and judgement that we should adopt, but rather that which pleases God.
Catholic composers, authors, poets, artisans, and so forth, should first and before the others, our natural default. That is how one chases away the spirit of materialism. Everything else should be judged according to that which springs forth from the Catholic Religion.

Without the dimension of the divine and its inspiration, there is nothing but Malls, account ledgers, and the material comforts and conveniences.

Mozart is hardly the beacon of masculinity in music and has for a long time been the darling of the liberal elite especially women.  And it is hardly the case that artists are motivated by tremendous zeal when attempting to reflect the world of their sponsors. The bishop quite often over-romanticises artistic expressions of religion when all along men are just selling their talents as a job of work. Today's artists if you can call them that have found employment elsewhere.

The family as an agent of culture is fine if the family is still regarded as the most important centre of education and guidance with other institutions complementing this role. This is no longer the case; parents are now watched-over custodians for a couple of decades. Indeed, the culture outside through their children is a huge influence on parents. There is a running battle inside traditional Catholic families when it come to coping with social trends which in part has caused the  SSPX to liberalise. I dare say the bishop has written off the modern family as an element in the human restoration of the Catholic religion as he has written off other elements. Nothing demonstrates this more than the march of feminism, a consequence of which is the creation of unsuccessful marriages down the line. But then the institution of marriage will be redefined to serve a very different purpose than that traditionally prescribed.